OMTA State Conference
Save the dates for our 2021 State Conference
Thursday, June 24 – Friday, June 25, 2021
We plan to provide a limited, in-person conference in the beautiful setting of Bend, OR that will also be broadcast virtually online. Hosted at the Riverhouse Hotel where modern sophistication and world-class amenities meets the relaxing location on the banks of the Deschutes River, this conference will stimulate and inspire as colleagues from around the state gather to collaborate, refine their craft, and refresh themselves. In-person registration will be limited to 25 attendees.
We are hard at work planning this exciting conference for you. Check back for more details!
Please check back. Registration will open in the spring.
Advertise in the 2021 Conference Program
Conference registrants and advertisers benefit from a beautiful, printed program book available to all registrants. This full color program booklet, with a finished size of 8.5”x11”, includes schedules, artist bios, recital programs, annual honors, and more!
2021 Conference Presenters/Artists Bios
OMTA is honored to welcome the following acclaimed artists to our 2021 conference.
DR. WILLIAM CHAPMAN NYAHO
Dr. William Chapman Nyaho grew up in Ghana, West Africa where he attended Achimota School. He later earned his degrees from St. Peter’s College, Oxford University, the Eastman School of Music and the University of Texas at Austin. He also studied at the Conservatoire de Musique de Genève, Switzerland.
Chapman Nyaho’s professional experience includes being a North Carolina Visiting Artist and Associate Professor of Music at the University of Louisiana at Lafayette where he held the Heymann Endowed Professorship and was the recipient of the Distinguished Professor Award. He has served as Visiting Professor of Piano at Colby College, Maine, Artist-in-Residence at Willamette University, Oregon and piano professor at Adamant Music School, Vermont.
Chapman Nyaho is an active solo recitalist, duo pianist and chamber musician giving recitals and concerts in Europe, Africa, and the Caribbean and in cities across the United States where he advocates music by composers of African descent. He actively serves as a regular guest clinician at colleges and universities around the United States and has been an adjudicator for several national and international piano competitions. He has served on national committees for the College Music Society, Music Teachers’ National Association and the National Endowment for the Arts. Chapman Nyaho also serves on the Frances Clark Center for Keyboard Pedagogy board of trustees.
As an advocate for music of Africa and its diaspora, Chapman Nyaho’s publications include a five-volume anthology Piano Music of Africa and the African Diaspora published by Oxford University Press. His recordings include Aaron Copland: Music for Two Pianos, Senku: Piano Music by Composers of African Descent, Asa: Piano Music by Composers of African Descent, and Kete: Piano Music of Africa and the African Diaspora.
Described as a pianist with “power and finesse” (Dallas Arts Society), “beautiful and fiery” (KMFA Austin) and having a “sense of color, balance and texture” (Austin Chamber Music Center) Artina McCain, has built a three-fold career as a performer, educator and speaker. Recent performance highlights include guest appearances with the Dallas Symphony Orchestra, Oregon East Symphony, and the Memphis Symphony Orchestra. As a recitalist, her credits include performances at the Mahidol University in Bangkok, Hatch Recital Hall in Rochester, Cummer Museum of Art and Gardens in Jacksonville, FL and the Desoto Arts Commission in Desoto,TX.
Dedicated to promoting the works of Black and other underrepresented composers, McCain curates Black Composers Concerts for multiple arts organizations and is an American Prize winner for her solo piano recordings of these works. She has toured the works of Black Female Composers with award-winning artists Gwendolyn Alfred, soprano and James Rodriguez, baritone. She has also won performance awards for curating the Austin Chamber Music Centers’ Black Composers Concert from the Austin Critics Table. In 2021, Hal Leonard will publish her transcriptions of African American Folk Songs.
McCain was a featured inspirational leader in the award-winning PBS documentary series Roadtrip Nation: Degree of Impact in an episode exploring the real-world impact of professionals with doctoral degrees in and outside of academia.
After years of battling a performance injury and now enjoying 10 years of full recovery, McCain is an advocate for musicians’ wellness. Her article on performance injury and Muscle Activation Techniques was published in Clavier Companion and she is a regular contributor for the Piano Magazine. To help other musicians, she hosts an annual Musicians Wellness Forum in Austin, TX which explores the benefits and options for alternative care. McCain has presented on these topics and others at the Music Teachers National Association Conference and the National Conference of Keyboard Pedagogy.
McCain has performed and served on the faculty of numerous summer festivals including the Austin Chamber Music Festival, the Illinois Summer Youth Music, the Gateways Music Festival in Rochester, NY, and the Walled City Music International Piano Festival and Competition in Ireland. McCain graduated cum laude from Southern Methodist University. She received her Master of Music from Cleveland Institute of Music and holds a doctoral degree from the University of Texas at Austin.
Currently, she is Assistant Professor of Piano and Coordinator of Keyboard Studies at the Rudi E. Scheidt School of Music at the University of Memphis and Co-Founder/Director of the Memphis International Piano Festival and Competition. Artina McCain is a Yamaha Artist.
More presenters to be announced!