Thomas Otten holds the title of Emeritus Professor, having retired in 2018 as Piano Area Chair from the University of North Carolina at Chapel Hill. He now resides in Portland, OR, where he is establishing himself as a master teacher and concert artist. A California native born of German-American parents, Dr. Otten has been hailed by the New York Times as “an extremely original player who puts a formidable technique at the service of his ideas.” He made his debut at age seventeen with the National Symphony Orchestra at the Kennedy Center, and has since developed a global profile through performances in New York, Washington, Los Angeles, St. Petersburg, Sydney, Munich, Frankfurt, and Milan, including such venues as Carnegie Hall, Alice Tully Hall, Severance Hall, the German Embassy, and the National Press Club. He has given guest artist recitals and masterclasses at top music schools and conservatories, such as the Rimsky-Korsakov St. Petersburg State Conservatory in Russia, the Munich Hochschule für Musik in Germany, as well as the Eastman School of Music, The Juilliard School, and Oberlin Conservatory in the U.S.

A recipient of numerous national and international awards, Dr. Otten has studied with artist teachers John Perry and Nelita True and worked intensively with biomechanics expert Barbara Lister-Sink. He has been on the faculties of the International Young Artists Project (Italy), Saarburger Serenaden International Music Festival (Germany), the American Institute of Musical Studies (Austria), and the Kent/Blossom Festival (Ohio), as well as concerto soloist at the Chautauqua and Brevard Summer Festivals. He has been a member of competition juries in the U.S. and abroad, and was founder of the Kent Piano Seminar in Ohio, as well director of the UNC Liszt Festival, UNC Etude Festival, and the Ginastera Centennial Celebration in North Carolina. His discography includes transcriptions of Franz Liszt and a premiere recording of etudes by African American composer Leslie Adams. He is committed to diverse music of our time, having also premiered works by electronic music expert Frances White and jazz pianist/composer Joe Utterback.

Dr. Otten’s former students include prize-winning concert artist Andrew Tyson, along with other professional musicians who are active throughout the country. His collaborations include the Miami and Vega String Quartets, violinist Richard Luby, as well as baritone Marc Callahan and soprano Louise Toppin. For more information on Dr. Otten, please visit his website at www.otten.studio.

was one of the great artist teachers and clinicians of our time. Dr. Otten counts his study with her as one of his great blessings and joys; much of his pedagogical approach is due to his work with her. This session will illuminate her highly practical, organized, and effective approach to musicianship (tone, voicing, line, rhythmic direction), technique, practice, and memorization, along with anecdotes that underscore her warm, nurturing approach to her students.