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DTSTART;TZID=America/Los_Angeles:20230314T100000
DTEND;TZID=America/Los_Angeles:20230314T113000
DTSTAMP:20260603T215421
CREATED:20230211T211632Z
LAST-MODIFIED:20230212T000550Z
UID:7623-1678788000-1678793400@oregonmta.org
SUMMARY:Grant Event -- Practice Smarter\, Not Longer
DESCRIPTION:Contact for Zoom link: Rosanne Smith\nPresenting District: Linn-Benton\nPresenter: Dr. Lark Powers[expand title=”Read Presenter Bio” swaptitle=” “]In demand as a solo and collaborative artist as well as an adjudicator and presenter\, Dr. Lark Powers has performed at such venues as Philadelphia’s Kimmel Center\, the 92nd Street Y in New York City and at the Library of Congress in Washington\, D.C. Internationally she has been heard in Europe\, Mexico\, and Canada. In addition to numerous collaborations with ensembles\, including the Tacoma Symphony\, Fort Collins Symphony\, the Washington-Idaho Symphony\, and the Baroque Chamber Orchestra of Colorado\, she appears in frequent two-piano concerts as part of the duo she forms with pianist Ricardo de la Torre. Locally she is a frequent performer on the Listen Live at Lunch series at the First Lutheran Church of Tacoma\, the Second City Chamber Series\, and the faculty artist series at Pacific Lutheran University. \nLark received a DMA in piano performance from the University of Colorado Boulder\, and holds three Master’s degrees (in piano\, theory pedagogy and in harpsichord) and a graduate performance diploma in piano from the Peabody Institute. Her undergraduate studies occurred at the University of the Pacific\, where she earned a BM in piano performance\, summa cum laude\, after which she attended the Conservatoire National de Région de Paris for three years where she won a premier prix. \nA Nationally Certified Teacher of Music and a Washington State Visiting Artist\, Lark teaches at Pacific Lutheran University where she instructs applied lessons and accompanying and coordinates the group keyboard program. Dr. Powers has presented on topics including managing performance anxiety\, the creativity inherent in the Baroque repertoire\, the pedagogy of keyboard harmony\, and more. She is a proponent of new music\, specializing in the music of Latin American composers\, and can be heard on recordings with the Pan Pacific Ensemble on Albany records and the Cherry Creek Flute Duo.[/expand] \nProgram Description: Practice is the most significant element which will determine a musician’s success and enjoyment of their craft.[expand title=”Read More” swaptitle=”]However\, many musicians were never taught how to practice\, and some of what we think we know about learning can be updated. A few easily incorporated practice strategies can greatly increase progress and make practicing more efficient. This presentation will delve into fascinating research on how the brain learns and how this relates to music and practicing. Offering innovative and practical advice\, topics discussed will include organization\, spacing\, the effectiveness of interleaved (random) repetition\, first-time retrieval strategies\, performance preparation\, and common practice mistakes. With strategies to overcome the challenge of getting started\, making improvement that sticks\, staying focused\, and planning the next session\, this presentation will suggest ideas that can make practice rewarding and effective. Strategic practice techniques create transformative changes\, which can be seen in overall progress as well as in performing comfort and success.[/expand]
URL:https://oregonmta.org/event/grant-event-practice-smarter-not-longer-2/
LOCATION:Virtual/Online
CATEGORIES:District Grant Event,Virtual,Workshop/Seminar/Class
ORGANIZER;CN="Rosanne Smith":MAILTO:rosannecs@aol.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20221108T100000
DTEND;TZID=America/Los_Angeles:20221108T113000
DTSTAMP:20260603T215421
CREATED:20221013T014305Z
LAST-MODIFIED:20221013T014305Z
UID:7322-1667901600-1667907000@oregonmta.org
SUMMARY:Grant Event - An Examination of Enrique Granados' Pedagogical Piano Works
DESCRIPTION:Location: Zoom\, for access please contact Rosanne Smith\nPresenting District: Linn-Benton\nPresenter: Ricardo de la Torre[expand title=”Read Presenter Bio” swaptitle=” “]In demand as a performer\, teacher\, adjudicator\, and presenter\, Ricardo de la Torre currently serves as piano instructor for the Community Music Program at the University of Puget Sound\, where he was also staff accompanist for the School of Music. Ricardo has played in concert venues in Mexico\, the United States\, Canada\, Spain\, Austria\, and France. A finalist and prize winner in several competitions in Mexico and the U.S.\, he received second prize at the Eleventh Annual Competition in the Performance of Music from Spain and Latin America\, sponsored by Indiana University’s Latin American Music Center and the Embassy of Spain. The recordings he made as a result of this competition were included in a two-CD collection released by the LAMC. Together with his wife\, Dr. Lark Powers\, Ricardo forms a piano duo that has performed internationally\, was a finalist of the United States International Piano Duo Competition in Colorado Springs and received a Silver Award at the first international competition of the Carles & Sofía Foundation of Spain. \nBorn in Mexico City\, Ricardo attended Escuela Superior de Música in his hometown\, where he received a bachelor’s degree cum laude. He continued his studies at the Indiana University Jacobs School of Music\, where he received a Master of Music degree and went on to graduate with a Doctor of Musical Arts degree from the University of Colorado Boulder\, where he worked as a teaching assistant. \nAn active presenter\, he has participated in numerous local\, regional\, and international conferences. The results of his research have been published in specialized journals in the U.S.\, Mexico\, and Colombia. \nHe is a visiting artist for the Washington State Music Teachers Association’s Music Artistry Program and has served on the faculty of East Central University in Ada\, OK. Ricardo has also taught music analysis at Pacific Lutheran University. Currently he is pianist at First Lutheran Church in Tacoma where he directs its summer concert series Listen Live at Lunch.[/expand] \nProgram Description: This session takes a fresh look[expand title=”Read More” swaptitle=” “]at three of this important Spanish composer’s pedagogical collections and presents an overview of Granados’ educational activities and concerns as well as the way his tradition lives on today.[/expand]
URL:https://oregonmta.org/event/grant-event-an-examination-of-enrique-granados-pedagogical-piano-works/
LOCATION:Virtual/Online
CATEGORIES:District Grant Event,Virtual
ORGANIZER;CN="Rosanne Smith":MAILTO:rosannecs@aol.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20220208T100000
DTEND;TZID=America/Los_Angeles:20220208T113000
DTSTAMP:20260603T215421
CREATED:20211227T190700Z
LAST-MODIFIED:20211227T194614Z
UID:6568-1644314400-1644319800@oregonmta.org
SUMMARY:Grant Event - Ornamentation & Performance Practice: Domenico Scarlatti's Remarkable Keyboard Sonatas
DESCRIPTION:Local Contact: For more information and Zoom access please contact Rosanne Smith.\nPresenting District: Linn-Benton\nPresenter: Dr. Matt Cooper[expand title=”Read Presenter Bio” swaptitle=” “]Dr. Matt Cooper is a Professor Emeritus of Music at Eastern Oregon University\, where he was awarded the 2019 Distinguished Teaching Faculty award\, retiring after a 31-year-college-teaching career. He served as OMTA President from 2000 to 2002\, during which time he traveled to Khabarovsk\, Russia as part of the “Music Without Borders” exchange program\, leading to two additional invitations to perform in Khabarovsk in 2002 and 2004.\nDr. Cooper earned his Doctor of Musical Arts degree at the University of Cincinnati College-Conservatory of Music. He has done extensive study in the Taubman approach at the Golandsky Institute and Princeton University\, and has studied Tango music in Buenos Aires. A former prizewinner in the Thelonious Monk and Great American Jazz Piano competitions\, he is the author of “Duke Ellington: A Study in Styles.”\nDr. Cooper has adjudicated many piano festivals and competitions and has performed numerous solo recitals\, chamber recitals\, and concerto appearances throughout the Northwest. He has recorded four jazz and classical CDs and is in frequent demand throughout the Northwest as a performer\, adjudicator\, clinician and presenter.[/expand] \nProgram Description: Dr. Cooper will present a journey[expand title=”Read More” swaptitle=” “]through Scarlatti’s 160 harpsichord sonatas published by G. Schirmer\, with an eye toward successful performance at the piano. Includes historical background\, live playing of examples of numerous representative and more-accessible sonatas\, and discussion of interpretation and performance practice.[/expand]
URL:https://oregonmta.org/event/grant-event-ornamentation-performance-practice-domenico-scarlattis-remarkable-keyboard-sonatas/
LOCATION:Virtual/Online
CATEGORIES:District Grant Event,Virtual
ORGANIZER;CN="Rosanne Smith":MAILTO:rosannecs@aol.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20211214T100000
DTEND;TZID=America/Los_Angeles:20211214T120000
DTSTAMP:20260603T215421
CREATED:20211211T221358Z
LAST-MODIFIED:20211211T230831Z
UID:6533-1639476000-1639483200@oregonmta.org
SUMMARY:Grant Event - Style Forum: Music of the Romantic Era
DESCRIPTION:Local Contact: For more information please contact Rosanne Smith.\nLocation: Zoom\, for access please contact Rosanne Smith.\nPresenting District: Linn-Benton\nPresenter: Dr. Thomas Otten\, NCTM[expand title=”Read Presenter Bio” swaptitle=” “]Thomas Otten holds the title of Emeritus Professor\, having recently retired as Piano Area Chair from the University of North Carolina at Chapel Hill. He now resides in Portland\, OR\, where he is establishing himself as a master teacher and concert artist. A California native born of German-American parents\, Dr. Otten has been hailed by the New York Times as “an extremely original player who puts a formidable technique at the service of his ideas.” He made his debut at age 17 with the National Symphony Orchestra at the Kennedy Center\, and has since developed a global profile through performances in New York\, Washington\, Los Angeles\, St. Petersburg\, Sydney\, Munich\, Frankfurt\, and Milan\, including such venues as Carnegie Hall\, Alice Tully Hall\, Severance Hall\, the German Embassy\, and the National Press Club. He has given guest artist recitals and masterclasses at top music schools and conservatories\, such as the Rimsky-Korsakov St. Petersburg State Conservatory in Russia\, the Munich Hochschule für Musik in Germany\, as well as the Eastman School of Music\, The Juilliard School\, and Oberlin Conservatory in the U.S.\nA recipient of numerous national and international awards\, Dr. Otten has studied with artist teachers John Perry and Nelita True\, and worked intensively with biomechanics expert Barbara Lister-Sink. He has been on the faculties of the International Young Artists Project (Italy)\, Saarburger Serenaden International Music Festival (Germany)\, the American Institute of Musical Studies (Austria)\, and the Kent/Blossom Festival (Ohio)\, as well as concerto soloist at the Chautauqua and Brevard Summer Festivals. He has been a member of competition juries in the U.S. and abroad\, and was founder of the Kent Piano Seminar in Ohio\, as well director of the UNC Liszt Festival\, UNC Etude Festival\, and the Ginastera Centennial Celebration in North Carolina. His discography includes transcriptions of Franz Liszt and a premiere recording of etudes by African American composer Leslie Adams. He is committed to diverse music of our time\, having also premiered works by electronic music expert Frances White and jazz pianist/composer Joe Utterback.\nDr. Otten’s former students include prize-winning concert artist Andrew Tyson\, along with other professional musicians who are active throughout the country. His collaborations include the Miami and Vega String Quartets\, violinist Richard Luby\, as well as baritone Marc Callahan and soprano Louise Toppin. For more information on Dr. Otten\, please visit his website at www.otten.studio.[/expand] \nProgram Description: How do we effectively handle the complexities of Romantic music?[expand title=”Read More” swaptitle=” “]This session will look at how to approach such elements as tone\, rubato\, pedal\, as well as layers of sound/complex accompanimental figures. Music of Grieg\, Chopin\, Schubert\, Liszt will be examined\, with an eye to pieces that are more effective\, as well as those to potentially avoid.[/expand]
URL:https://oregonmta.org/event/grant-event-style-forum-music-of-the-romantic-era-2/
LOCATION:Virtual/Online
CATEGORIES:District Grant Event,Virtual
ORGANIZER;CN="Rosanne Smith":MAILTO:rosannecs@aol.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20211109T100000
DTEND;TZID=America/Los_Angeles:20211109T120000
DTSTAMP:20260603T215421
CREATED:20211013T012141Z
LAST-MODIFIED:20211028T013042Z
UID:6349-1636452000-1636459200@oregonmta.org
SUMMARY:Grant Event-Style Forum: Music of the Romantic Era
DESCRIPTION:Local Contact: For more information please contact Rosanne Smith.\nLocation: Zoom\, for access please contact Rosanne Smith.\nPresenting District: Linn-Benton\nPresenter: Dr. Thomas Otten\, NCTM[expand title=”Read Presenter Bio” swaptitle=” “]Thomas Otten holds the title of Emeritus Professor\, having recently retired as Piano Area Chair from the University of North Carolina at Chapel Hill. He now resides in Portland\, OR\, where he is establishing himself as a master teacher and concert artist. A California native born of German-American parents\, Dr. Otten has been hailed by the New York Times as “an extremely original player who puts a formidable technique at the service of his ideas.” He made his debut at age 17 with the National Symphony Orchestra at the Kennedy Center\, and has since developed a global profile through performances in New York\, Washington\, Los Angeles\, St. Petersburg\, Sydney\, Munich\, Frankfurt\, and Milan\, including such venues as Carnegie Hall\, Alice Tully Hall\, Severance Hall\, the German Embassy\, and the National Press Club. He has given guest artist recitals and masterclasses at top music schools and conservatories\, such as the Rimsky-Korsakov St. Petersburg State Conservatory in Russia\, the Munich Hochschule für Musik in Germany\, as well as the Eastman School of Music\, The Juilliard School\, and Oberlin Conservatory in the U.S.\nA recipient of numerous national and international awards\, Dr. Otten has studied with artist teachers John Perry and Nelita True\, and worked intensively with biomechanics expert Barbara Lister-Sink. He has been on the faculties of the International Young Artists Project (Italy)\, Saarburger Serenaden International Music Festival (Germany)\, the American Institute of Musical Studies (Austria)\, and the Kent/Blossom Festival (Ohio)\, as well as concerto soloist at the Chautauqua and Brevard Summer Festivals. He has been a member of competition juries in the U.S. and abroad\, and was founder of the Kent Piano Seminar in Ohio\, as well director of the UNC Liszt Festival\, UNC Etude Festival\, and the Ginastera Centennial Celebration in North Carolina. His discography includes transcriptions of Franz Liszt and a premiere recording of etudes by African American composer Leslie Adams. He is committed to diverse music of our time\, having also premiered works by electronic music expert Frances White and jazz pianist/composer Joe Utterback.\nDr. Otten’s former students include prize-winning concert artist Andrew Tyson\, along with other professional musicians who are active throughout the country. His collaborations include the Miami and Vega String Quartets\, violinist Richard Luby\, as well as baritone Marc Callahan and soprano Louise Toppin. For more information on Dr. Otten\, please visit his website at www.otten.studio.[/expand] \nProgram Description: How do we effectively handle the complexities of Romantic music?[expand title=”Read More” swaptitle=” “]This session will look at how to approach such elements as tone\, rubato\, pedal\, as well as layers of sound/complex accompanimental figures. Music of Grieg\, Chopin\, Schubert\, Liszt will be examined\, with an eye to pieces that are more effective\, as well as those to potentially avoid.[/expand]
URL:https://oregonmta.org/event/grant-event-style-forum-music-of-the-romantic-era/
LOCATION:Virtual/Online
CATEGORIES:District Grant Event,Virtual,Workshop/Seminar/Class
ORGANIZER;CN="Rosanne Smith":MAILTO:rosannecs@aol.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20210413T100000
DTEND;TZID=America/Los_Angeles:20210413T113000
DTSTAMP:20260603T215421
CREATED:20210207T010925Z
LAST-MODIFIED:20210220T232907Z
UID:5330-1618308000-1618313400@oregonmta.org
SUMMARY:Grant Event - Acquiring Aural Skills: Listening Deeply
DESCRIPTION:Local Contact: For more information please contact Rosanne Smith.\nLocation: Zoom\, for access please contact Susan Todd.\nPresenting District: Linn-Benton\nPresenter: American pianist Johnandrew Slominski [expand title=”Read Presenter Bio” swaptitle=” “]enjoys a distinguished reputation as a performer and pedagogue. He has been hailed as “a remarkable\, brilliant\, and gifted pianist” (Chautauquan Daily)\, commended for performing with “a great deal of intellect” (89.9 KBPS Portland)\, and recognized for his communicative performance: “I was profoundly moved by his performance… He has a musicianship that transcends his youthfulness.” (Eye on Sun Valley). His 2016 San Francisco concert debut\, presented by the New Piano Collective\, earned praise as “awe-inspiring” and “ear-opening” from Stephen Smoliar of the San Francisco Examiner. Slominski seamlessly navigates the landscape of a varied and thriving career as a soloist\, chamber musician\, music theorist\, author\, pedagogue\, and speaker. Highlights of his current season include a solo CD released on the Centaur Records label\, an all-Schubert disc with soprano Kayleen Sánchez released on the Soundset Recordings label\, performances of concerti by Mozart and Schumann\, and more than a dozen speaking and teaching engagements in the United States and Asia. \nSlominski earned three degrees from the Eastman School of Music by age 21\, and was unanimously nominated for the Jerald R. Graue Musicology Fellowship and the Eastman Performer’s Certificate; his first professorship followed at age 23. He has held faculty positions as a pianist and music theorist at the Eastman School of Music\, the Sunderman Conservatory at Gettysburg College\, and Virginia Commonwealth University. He is the founding director of Classical Music on the Spot (an institute for eighteenth-century improvisation)\, a co-founder of the San Francisco International Piano Festival\, a founding faculty member of the Rebecca Penneys Piano Festival at the University of South Florida\, and an Assistant Professor of Music at Linfield College. He earned the Doctor of Musical Arts degree from the Eastman School of Music. Slominski is a New Piano Collective artist.[/expand]\nProgram Description: The composer and pianist Robert Schumann wrote in 1848 that\,[expand title=”Read More” swaptitle=” “]“You must get to the point that you can hear music from the page. … A perfect musician should be able to picture a piece\, at first hearing…as though he had the score in front of him.” This workshop\, facilitated by Dr. Slominski (former theory and aural skills faculty at the Eastman School of Music)\, opens a conversation about teaching and learning through a nuanced aural curriculum. Skills discussed include sight-singing\, solfege and solmization\, dictation\, playing by ear\, improvisation\, and more.
URL:https://oregonmta.org/event/grant-event-acquiring-aural-skills-listening-deeply/
LOCATION:Virtual/Online
CATEGORIES:District Grant Event,Virtual
ORGANIZER;CN="Rosanne Smith":MAILTO:rosannecs@aol.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20201013T100000
DTEND;TZID=America/Los_Angeles:20201013T113000
DTSTAMP:20260603T215421
CREATED:20200918T010429Z
LAST-MODIFIED:20200918T010735Z
UID:4681-1602583200-1602588600@oregonmta.org
SUMMARY:Grant Event - How Do I Get My Student to Sound Artistic?
DESCRIPTION:Presenter: Dr. Thomas Otten\, NCTM \nPresenting District: Linn-Benton \nProgram Description: What makes for an artistic performance? This session will delve into issues of tone\, rubato\, rhythm\, articulation\, pedal\, tempo: how to use these elements to create artistry in students. \nAbout the Presenter: Thomas Otten\, a California native born of German-American parents\, has been hailed by the New York Times as “an extremely original player who puts a formidable technique at the service of his ideas.” He made his debut at age seventeen with the National Symphony Orchestra at the Kennedy Center\, and has since developed a global profile through performances in New York\, Washington\, Los Angeles\, St. Petersburg\, Sydney\, Munich\, Frankfurt\, and Milan\, including such venues as Carnegie Hall\, Alice Tully Hall\, Severance Hall\, the German Embassy\, and the National Press Club. He has given guest artist recitals and masterclasses at top music schools and conservatories\, such as the Rimsky-Korsakov St. Petersburg State Conservatory in Russia\, the Munich Hochschule für Musik in Germany\, as well as the Eastman School of Music\, The Juilliard School\, and Oberlin Conservatory in the U.S.\nA recipient of numerous national and international awards\, Dr. Otten has studied with artist teachers John Perry and Nelita True\, and worked intensively with biomechanics expert Barbara Lister-Sink. He has been on the faculties of the International Young Artists Project (Italy)\, Saarburger Serenaden International Music Festival (Germany)\, the American Institute of Musical Studies (Austria)\, and the Kent/Blossom Festival (Ohio)\, as well as concerto soloist at the Chautauqua and Brevard Summer Festivals. He has been a member of competition juries in the U.S. and abroad\, and was founder of the Kent Piano Seminar in Ohio\, as well director of the UNC Liszt Festival\, UNC Etude Festival\, and the Ginastera Centennial Celebration in North Carolina. His discography includes transcriptions of Franz Liszt and a premiere recording of etudes by African American composer Leslie Adams. He is committed to diverse music of our time\, having also premiered works by electronic music expert Frances White and jazz pianist/composer Joe Utterback.\nDr. Otten is Professor Emeritus of Piano at the University of North Carolina at Chapel Hill; previously he was chair of piano at Kent State University. His former students include prize-winning concert artist Andrew Tyson\, along with other professional musicians who are active throughout the country. His collaborations include the Miami and Vega String Quartets\, violinist Richard Luby\, as well as baritone Marc Callahan and soprano Louise Toppin.\nFor more information on Dr. Otten’s activities as a master teacher/pianist\, please visit his website: www.otten.studio. \nPlease contact Rosanne Smith for Zoom meeting link.
URL:https://oregonmta.org/event/grant-event-how-do-i-get-my-student-to-sound-artistic/
LOCATION:Virtual/Online
ORGANIZER;CN="Rosanne Smith":MAILTO:rosannecs@aol.com
END:VEVENT
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