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DTSTAMP:20260603T225429
CREATED:20240215T180932Z
LAST-MODIFIED:20240215T180932Z
UID:10346-1712570400-1712575800@oregonmta.org
SUMMARY:Grant Event - The Art of Memorization
DESCRIPTION:Presenting District: Eugene\nPresenter: Dr. Michelle Huang\nProgram Description: “I played through it without the music just fine before!” We have all been there. What makes someone a better memorizer than others? In this talk\, we will look at the four different types of memory: visual\, tactile\, aural\, and analytical\, and how to best use them to securely memorize our pieces for the next performance. We will learn that there is a direct correlation between excellent practice habits and memory\, and how the act of storytelling can really help to secure that memory. \nAbout Dr. Michelle Huang: A native of Taiwan\, pianist Michelle Huang has performed and taught extensively throughout the U.S. as well as abroad in the Czech Republic\, Italy\, Switzerland\, and Taiwan. Described as a pianist with much sensibility and nuance\, Michelle Huang is equally at home as soloist\, chamber musician\, and teacher. She has played numerous solo recitals\, gave workshops and masterclasses\, and collaborated frequently with vocalists and instrumentalists in the Mary L’Engle Ensemble\, the River City Trio\, the chamber group-in-residence at Friday Musicale in Jacksonville\, Florida\, and the Jacksonville Symphony and Richmond Symphony musicians. In 2017\, she received a grant to commission ten paintings by two graduates of Virginia Commonwealth University art students. These paintings were presented alongside the complete performance of Mussorgsky’s piano suite Pictures at an Exhibition during her concert tour in 2018-19. Deeply committed to community outreach\, she launched a concert series during her residency at Edward Waters College\, in which high caliber artists performed concerts as well as conducted master classes\, workshops\, and lectures for the continuing enrichment and exposure of classical music to both the school and the community. She initiated the Mentoring Program as part of the Richmond Music Teachers Association\, in which young music teachers can be paired with experienced teachers to help them with aspects of teaching. She is the co-founder of the Online Young Pianist Summer Symposium\, which launched in May 2020 in the middle of the pandemic. The Symposium was conducted virtually for pre-college and college students as well as teachers\, in which guest speakers were invited to present topics such as the art of practicing\, the art of memorization\, and Alexander Technique\, as well as a masterclass. \nMichelle Huang holds bachelor’s and master’s degrees from the University of North Carolina at Chapel Hill and the University of Tennessee\, and Doctor of Music in Piano Performance from Florida State University. Her principal teachers include Barbara Rowan\, David Northington\, and Read Gainsford. Dr. Huang has held teaching positions at Walter State Community College and Lincoln Memorial University. In 2011 – 2014\, she served as the Assistant Professor of Piano at Edward Waters College in Jacksonville\, Florida. Most recently\, she was on the piano faculty at the Virginia Commonwealth University in Richmond\, Virginia. In the summer\, she served on the faculty of East/West International Piano Festival in Seoul\, Korea. In addition to teaching in the collegiate setting\, Dr. Huang also maintains a private studio\, where she works with talented pre-college students both in her Seattle studio and online. She has served as President and first Vice President of Programming for the Richmond Music Teachers Association. She is currently an active member of the Seattle Music Teachers Association and Eastside Music Teachers Association. Highly demanded as a frequent presenter and adjudicator\, she is a Visiting Artist for the Washington State Music Teachers Association. Many of her students have won top awards and successfully pursued studies and careers in music.
URL:https://oregonmta.org/event/grant-event-the-art-of-memorization-2/
LOCATION:First Congregational Church – Eugene\, 1050 E 23rd Ave\, Eugene\, OR\, 97405
CATEGORIES:District Grant Event,Workshop/Seminar/Class
ORGANIZER;CN="Grace Ho":MAILTO:ghopiano@gmail.com
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20221010T100000
DTEND;TZID=America/Los_Angeles:20221010T120000
DTSTAMP:20260603T225429
CREATED:20220918T020751Z
LAST-MODIFIED:20220918T021907Z
UID:7250-1665396000-1665403200@oregonmta.org
SUMMARY:Grant Event - The Creativity of the Baroque Repertoire
DESCRIPTION:Presenting District: Eugene \nPresenter: Dr. Lark Powers[expand title=”Read Presenter Bio” swaptitle=” “]In demand as a solo and collaborative artist as well as an adjudicator and presenter\, Dr. Lark Powers has performed at such venues as Philadelphia’s Kimmel Center\, the 92nd Street Y in New York City and at the Library of Congress in Washington\, D.C. Internationally she has been heard in Europe\, Mexico\, and Canada. In addition to numerous collaborations with ensembles\, including the Tacoma Symphony\, Fort Collins Symphony\, the Washington-Idaho Symphony\, and the Baroque Chamber Orchestra of Colorado\, she appears in frequent two-piano concerts as part of the duo she forms with pianist Ricardo de la Torre. Locally she is a frequent performer on the Listen Live at Lunch series at the First Lutheran Church of Tacoma\, the Second City Chamber Series\, and the faculty artist series at Pacific Lutheran University. \nLark received a DMA in piano performance from the University of Colorado Boulder\, and holds three Master’s degrees (in piano\, theory pedagogy and in harpsichord) and a graduate performance diploma in piano from the Peabody Institute. Her undergraduate studies occurred at the University of the Pacific\, where she earned a BM in piano performance\, summa cum laude\, after which she attended the Conservatoire National de Région de Paris for three years where she won a premier prix. \nA Nationally Certified Teacher of Music and a Washington State Visiting Artist\, Lark teaches at Pacific Lutheran University where she instructs applied lessons and accompanying and coordinates the group keyboard program. Dr. Powers has presented on topics including managing performance anxiety\, the creativity inherent in the Baroque repertoire\, the pedagogy of keyboard harmony\, and more. She is a proponent of new music\, specializing in the music of Latin American composers\, and can be heard on recordings with the Pan Pacific Ensemble on Albany records and the Cherry Creek Flute Duo.[/expand] \nProgram Description: The Baroque repertoire provides an exceptional resource[expand title=”Read More” swaptitle=” “]for teaching students to analyze\, to develop creativity\, and to take charge of their interpretation. This presentation uses compositions from a variety of composers\, well known to less well known\, and explores pieces in a range of difficulties. The blank scores from this period\, in urtext editions free of dynamics and phrasing indications\, can provide challenges in developing an idiomatic and effective interpretation\, and discussion includes helping students find cadences\, establish phrasing\, the importance of meter and pulse\, articulation\, ornamentation\, and the treatment of specific dance forms\, as well as effectively translating this music for performances on the modern piano.[/expand]
URL:https://oregonmta.org/event/grant-event-the-creativity-of-the-baroque-repertoire/
LOCATION:U of O School of Music – Berwick Hall\, Room 101\, Eugene\, OR
CATEGORIES:District Grant Event,Workshop/Seminar/Class
ORGANIZER;CN="Grace Ho":MAILTO:ghopiano@gmail.com
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