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DTSTART;TZID=America/Los_Angeles:20250207T100000
DTEND;TZID=America/Los_Angeles:20250207T120000
DTSTAMP:20260603T215641
CREATED:20250104T181408Z
LAST-MODIFIED:20250104T212421Z
UID:11270-1738922400-1738929600@oregonmta.org
SUMMARY:Grant Event - Piano Methods from Around the World
DESCRIPTION:Location parking: (3 hrs of parking is free in the Library Parkade)\nPresenting District: Salem\nPresenters: Dr. Ricardo de la Torre and Dr. Lark Powers \nProgram Description: Much has been written about the value\, advantages\, and disadvantages of piano method books for beginning students. However\, few comparative studies on the methodology of different international approaches exist. The objective of this joint session is to present\, discuss\, and contrast piano methods at the beginning level from different pedagogical traditions by authors from France\, Germany\, Hungary\, Cuba\, and Japan. Elements discussed will include the approach to introducing note-reading\, how technique is built\, the structure of rhythmic exercises\, and the introduction of general musicianship\, as well as the use of fanciful elements that engage children. We will compare and contrast these approaches to ones used in English-speaking countries\, particularly American piano methods. Teachers may find inspiration for teaching specific skills through the analysis of these method books\, as well as gaining increased awareness of what texts are used worldwide\, while enjoying a lively discussion of pedagogical merits and cultural values. \nPresenter Bios: In demand as a solo and collaborative artist as well as an adjudicator and presenter\, Dr. Lark Powers has performed at such venues as Philadelphia’s Kimmel Center\, the 92nd Street Y in New York City and at the Library of Congress in Washington\, D.C. Internationally she has been heard in Europe\, Mexico and Canada. In addition to numerous collaborations with ensembles\, including the Tacoma Symphony\, Fort Collins Symphony\, the Washington-Idaho Symphony\, and the Baroque Chamber Orchestra of Colorado\, she appears in frequent two-piano concerts as part of the duo she forms with pianist Ricardo de la Torre. Locally she is a frequent performer on the Listen Live at Lunch series at the First Lutheran Church of Tacoma\, the Second City Chamber Series\, and the faculty artist series at Pacific Lutheran University. \nDr. Powers received a DMA in piano performance from the University of Colorado Boulder\, and holds three Master’s degrees (in piano\, theory pedagogy and in harpsichord) and a graduate performance diploma in piano from the Peabody Institute. Her undergraduate studies occurred at the University of the Pacific\, where she earned a BM in piano performance\, summa cum laude\, after which she attended the Conservatoire National de Région de Paris for three years where she won a premier prix. \nA Nationally Certified Teacher of Music and a Washington State Visiting Artist\, Lark teaches at Pacific Lutheran University where she instructs applied lessons and accompanying\, and coordinates the group keyboard program. Dr. Powers has presented on topics including managing performance anxiety\, the creativity inherent in the Baroque repertoire\, the pedagogy of keyboard harmony\, and more. She is a proponent of new music\, specializing in the music of Latin American composers\, and can be heard on recordings with the Pan Pacific Ensemble on Albany records and the Cherry Creek Flute Duo. \nIn demand as a performer\, teacher\, adjudicator and presenter\, Dr. Ricardo de la Torre currently serves as piano instructor for the Community Music Program at the University of Puget Sound\, where he was also staff accompanist for the School of Music. Ricardo has played in concert venues in Mexico\, the United States\, Canada\, Spain\, Austria\, and France. A finalist and prize winner in several competitions in Mexico and the U.S.\, he received second prize at the Eleventh Annual Competition in the Performance of Music from Spain and Latin America\, sponsored by Indiana University’s Latin American Music Center and the Embassy of Spain. The recordings he made as a result of this competition were included in a two-CD collection released by the LAMC. Together with his wife\, Dr. Lark Powers\, Ricardo forms a piano duo that has performed internationally\, was a finalist of the United States International Piano Duo Competition in Colorado Springs and received a Silver Award at the first international competition of the Carles & Sofía Foundation of Spain. Born in Mexico City\, Ricardo attended Escuela Superior de Música in his hometown\, where he received a Bachelor’s degree cum laude. He continued his studies at the Indiana University Jacobs School of Music\, where he received a Master of Music degree and went on to graduating with a Doctor of Musical Arts degree from the University of Colorado Boulder\, where he worked as a teaching assistant. An active presenter\, he has participated in numerous local\, regional\, national\, and international conferences and the results of his research have been published in specialized journals in the U.S.\, Mexico and Colombia. He is a visiting artist for the Washington State Music Teachers Association’s Music Artistry Program and has served on the faculties of Pacific Lutheran University in Tacoma\, and East Central University in Ada\, OK. After being pianist at First Lutheran Church in Tacoma and directing its summer concert series Listen Live at Lunch\, Ricardo currently works as Curator of Art and Music at Lakewold Gardens in Lakewood\, WA.
URL:https://oregonmta.org/event/grant-event-piano-methods-from-around-the-world-2/
LOCATION:Salem Public Library\, Loucks Auditorium\, 585 Liberty St SE\, Salem\, OR\, 97301
CATEGORIES:District Grant Event,Workshop/Seminar/Class
ORGANIZER;CN="Deborah Butler":MAILTO:butlers9@frontier.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20250125T090000
DTEND;TZID=America/Los_Angeles:20250125T110000
DTSTAMP:20260603T215641
CREATED:20241211T022207Z
LAST-MODIFIED:20250104T212326Z
UID:11226-1737795600-1737802800@oregonmta.org
SUMMARY:Grant Event - Masterclass in Performance Coping Skills
DESCRIPTION:Presenting District: Eugene\nPresenter: Dr. Alex Tutunov\, NCTM \nProgram Description: The master pianist/teacher will work with piano students in a master class setting while the audience is invited to learn by observing. \nPresenter Bio: Alexander Tutunov is widely recognized as one of the most outstanding virtuosos of the former Soviet Union. First Prize winner of the Belarusian National Piano Competition and winner of the Russian National Piano Competition\, Tutunov’s playing was described by Soviet Culture\, Moscow\, as “exhilarating and inspired\, and which demonstrated a unique talent.” \nDr. Tutunov maintains a busy performing schedule in Europe\, China\, Mexico\, and the United States as a recitalist\, soloist with orchestra\, and on radio and television. Dr. Tutunov is also in demand as an adjudicator for piano competitions. \nTutunov graduated magna cum laude from the Central Music School of the Moscow Conservatory (studies with Anna Artobolevskaya and Lev Naumov) and University of North Texas (piano studies with Joseph Banowetz). Awarded his doctoral diploma with honors in concert performance from the Belarusian State Conservatory\, Dr. Tutunov has taught at the Minsk College of Music\, the University of North Texas\, and Illinois Wesleyan University. \nAlexander Tutunov now lives in Ashland\, where he is Professor of Piano and Artist in Residence at Southern Oregon University. A successful piano pedagogue\, he continues to prepare award-winning students. Dr. Tutunov has been the Artist in Residence at the University of Alaska Southeast\, Artistic Director of the SOU International Piano Institute\, and the Director of the Chinese-American International Piano Institute in Chengdu\, China.
URL:https://oregonmta.org/event/grant-event-masterclass-in-performance-coping-skills/
LOCATION:First Congregational Church – Eugene\, 1050 E 23rd Ave\, Eugene\, OR\, 97405
CATEGORIES:District Grant Event,Workshop/Seminar/Class
ORGANIZER;CN="Brian Hsu":MAILTO:brianhsu@uoregon.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20250111T103000
DTEND;TZID=America/Los_Angeles:20250111T120000
DTSTAMP:20260603T215641
CREATED:20241210T201704Z
LAST-MODIFIED:20250104T212201Z
UID:11219-1736591400-1736596800@oregonmta.org
SUMMARY:Grant Event - The Mighty Wrist and the Piano: Mastering the Motions of the Wrist for Optimal Piano Technique
DESCRIPTION:Presenting District: Rogue Valley\nPresenter: Dr. Stephen Lewis \nProgram Description: This talk is an in-depth look at the wrist motions involved in piano playing (lateral\, up-down\, elliptical\, rotational\, drawer\, and stationary) and how they help various techniques and textures we often teach or play. Dr. Lewis will explore how and why these motions are so crucial to piano playing\, and provide knowledge and flexibility to the teachers present in how to make your own determinations regarding teaching using the wrists. \nPresenter Bio: Dr. Stephen Lewis\, PhD\, DMA\, is a Portland-based composer\, pianist\, conductor\, and teacher whose compositions inhabit the terrain between sound as physical sensation and sound as signifier of culture. Stephen’s opera\, Noon at Dusk\, was hailed as “delectable\,” with a “constantly shifting sonic world [that] proved fascinating and effective.” Recent and upcoming performance engagements include concerts with the Oregon Symphony\, the Agnieszka Laska Dancers\, the Astoria Music Festival\, and Fear No Music’s Young Composers Project as well as a live broadcast on All-Classical Radio. Stephen has also performed throughout the United States and in Italy. Stephen holds a PhD in composition and a DMA in piano from UC-San Diego\, and a BMus from the Oberlin Conservatory of Music. Stephen teaches piano\, composition\, music theory\, and conducting privately at his home and from St. Stephen’s Episcopal Parish\, where he serves as music director and organist. Stephen enjoys baking bread\, reading\, wine tasting\, and hiking with his wife. See more at his websites: www.stephenlewiscomposer.com (artistic) and www.chopinois.com (teaching).
URL:https://oregonmta.org/event/grant-event-the-mighty-wrist-mastering-the-motions-of-the-wrist-for-optimal-piano-technique/
LOCATION:Jacksonville Library\, 340 West C Street\, Jacksonville\, OR\, 97530\, United States
CATEGORIES:District Grant Event,Workshop/Seminar/Class
ORGANIZER;CN="Terri Horn":MAILTO:terrrisuehorn@gmail.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20241118T100000
DTEND;TZID=America/Los_Angeles:20241118T113000
DTSTAMP:20260603T215641
CREATED:20241009T002425Z
LAST-MODIFIED:20241009T002509Z
UID:11085-1731924000-1731929400@oregonmta.org
SUMMARY:Grant Event - Piano Methods from Around the World
DESCRIPTION:Presenting District: Eugene\nPresenters: Dr. Lark Powers\, NCTM & Dr. Ricardo de la Torre\nProgram Description: Much has been written about the value\, advantages\, and disadvantages of piano method books for beginning students. However\, few comparative studies on the methodology of different international approaches exist. The objective of this joint session is to present\, discuss\, and contrast piano methods at the beginning level from different pedagogical traditions by authors from France\, Germany\, Hungary\, Cuba\, and Japan. Elements discussed will include the approach to introducing note-reading\, how technique is built\, the structure of rhythmic exercises\, and the introduction of general musicianship\, as well as the use of fanciful elements that engage children. We will compare and contrast these approaches to ones used in English-speaking countries\, particularly American piano methods. Teachers may find inspiration for teaching specific skills through the analysis of these method books\, as well as gaining increased awareness of what texts are used worldwide\, while enjoying a lively discussion of pedagogical merits and cultural values. \nAbout Dr. Lark Powers: Dr. Lark Powers has performed at such venues as Philadelphia’s Kimmel Center\, the 92nd Street Y in New York City and at the Library of Congress in Washington\, D.C. Internationally she has been heard in Europe\, Mexico and Canada. In addition to numerous collaborations with ensembles\, including the Tacoma Symphony\, Olympia Symphony Orchestra\, Fort Collins Symphony\, the Washington-Idaho Symphony\, the Tacoma Opera\, and the Baroque Chamber Orchestra of Colorado\, she appears in frequent two-piano concerts as part of the duo she forms with pianist Ricardo de la Torre. Last spring they were soloists with the Bainbridge Symphony Orchestra. Locally she is a frequent performer on Lakewold Garden’s Music From Home series\, the Listen Live at Lunch series at the First Lutheran Church of Tacoma\, the Second City Chamber Series\, and the faculty artist series at Pacific Lutheran University. \nLark received a DMA in piano performance from the University of Colorado Boulder\, and holds three Master’s degrees (in piano\, theory pedagogy and in harpsichord) and a graduate performance diploma in piano from the Peabody Institute. Her undergraduate studies occurred at the University of the Pacific\, where she earned a BM in piano performance\, summa cum laude\, after which she attended the Conservatoire National de Région de Paris for three years where she won a premier prix. \nA Nationally Certified Teacher of Music and a Washington State Visiting Artist\, Lark is an Associate Professor at Pacific Lutheran University where she instructs applied lessons and accompanying\, and coordinates the group keyboard program. Dr. Powers has presented on topics including managing performance anxiety\, the creativity inherent in the Baroque repertoire\, the pedagogy of keyboard harmony\, and more. She is a proponent of new music\, specializing in the music of Latin American composers\, and can be heard on recordings with the Pan Pacific Ensemble on Albany records and the Cherry Creek Flute Duo. \nAbout Dr. Ricardo de la Torre: Dr. Ricardo de la Torre currently serves as piano instructor for the Community Music Program at the University of Puget Sound\, where he was also staff accompanist for the School of Music. Ricardo has played in concert venues in Mexico\, the United States\, Canada\, Spain\, Austria\, and France. A finalist and prize winner in several competitions in Mexico and the U.S.\, he received second prize at the Eleventh Annual Competition in the Performance of Music from Spain and Latin America\, sponsored by Indiana University’s Latin American Music Center and the Embassy of Spain. The recordings he made as a result of this competition were included in a two-CD collection released by the LAMC. Together with his wife\, Dr. Lark Powers\, Ricardo forms a piano duo that has performed internationally\, was a finalist of the United States International Piano Duo Competition in Colorado Springs and received a Silver Award at the first international competition of the Carles & Sofía Foundation of Spain. Born in Mexico City\, Ricardo attended Escuela Superior de Música in his hometown\, where he received a Bachelor’s degree cum laude. He continued his studies at the Indiana University Jacobs School of Music\, where he received a Master of Music degree and went on to graduating with a Doctor of Musical Arts degree from the University of Colorado Boulder\, where he worked as a teaching assistant. An active presenter\, he has participated in numerous local\, regional\, national\, and international conferences and the results of his research have been published in specialized journals in the U.S.\, Mexico and Colombia. He is a visiting artist for the Washington State Music Teachers Association’s Music Artistry Program and has served on the faculties of Pacific Lutheran University in Tacoma\, and East Central University in Ada\, OK. After being pianist at First Lutheran Church in Tacoma and directing its summer concert series Listen Live at Lunch\, Ricardo currently works as Curator of Art and Music at Lakewold Gardens in Lakewood\, WA. \n 
URL:https://oregonmta.org/event/grant-event-piano-methods-from-around-the-world/
LOCATION:Virtual/Online
CATEGORIES:District Grant Event,Virtual,Workshop/Seminar/Class
ORGANIZER;CN="Brian Hsu":MAILTO:brianhsu@uoregon.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20241113T103000
DTEND;TZID=America/Los_Angeles:20241113T120000
DTSTAMP:20260603T215641
CREATED:20241006T020234Z
LAST-MODIFIED:20241006T020234Z
UID:11080-1731493800-1731499200@oregonmta.org
SUMMARY:Grant Event - Teaching Adult Piano Students
DESCRIPTION:Presenting District: Hillsboro Area\nContact: hillsboro@oregonmta.org\nPresenter: Andrew D’Antonio\, NCTM\nProgram Description: Most pedagogical training and materials tend to focus on kids\, teens\, and budding professionals as students. However\, many people take up or resume piano study as adults\, without any intention of having a musical career. Adults students require a different approach to technique\, repertoire\, and even lesson format than what is often standard for students under 18. As a specialist teaching adult amateur pianists at all levels\, Andrew will share strategies\, trends\, and teaching techniques for teachers to feel confident and prepared for working with adult students. \nAbout Andrew D’Antonio: Andrew D’Antonio\, NCTM\, is a pianist and teacher based in Portland\, Oregon. He has performed throughout North America and Europe\, primarily as a soloist and chamber musician. He holds a masters of music in collaborative piano and music history from the University of Massachusetts Amherst\, a masters of science in teaching in early childhood special education from Fordham University\, and a bachelors of music in piano performance from Pacific Lutheran University. In Massachusetts\, he was a faculty member at Community Music School of Springfield\, Bay Path University\, and Smith College. Andrew moved to Portland in 2019 and teaches out of his home studio. He is the President for East Portland District and the OMTA State Membership Chair.
URL:https://oregonmta.org/event/grant-event-teaching-adult-piano-students-2/
LOCATION:Calvary Lutheran Church\, 937 NE Jackson School Rd\, Hillsboro\, OR\, 97124\, United States
CATEGORIES:District Grant Event,Workshop/Seminar/Class
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20241109T100000
DTEND;TZID=America/Los_Angeles:20241109T120000
DTSTAMP:20260603T215641
CREATED:20240930T171659Z
LAST-MODIFIED:20241006T020406Z
UID:11062-1731146400-1731153600@oregonmta.org
SUMMARY:Grant Event - Teaching Adult Piano Students
DESCRIPTION:Presenting District: Rogue Valley\nPresenter: Andrew D’Antonio\, NCTM\nProgram Description: Most pedagogical training and materials tend to focus on kids\, teens\, and budding professionals as students. However\, many people take up or resume piano study as adults\, without any intention of having a musical career. Adults students require a different approach to technique\, repertoire\, and even lesson format than what is often standard for students under 18. As a specialist teaching adult amateur pianists at all levels\, Andrew will share strategies\, trends\, and teaching techniques for teachers to feel confident and prepared for working with adult students. \nAbout Andrew D’Antonio: Andrew D’Antonio\, NCTM\, is a pianist and teacher based in Portland\, Oregon. He has performed throughout North America and Europe\, primarily as a soloist and chamber musician. He holds a masters of music in collaborative piano and music history from the University of Massachusetts Amherst\, a masters of science in teaching in early childhood special education from Fordham University\, and a bachelors of music in piano performance from Pacific Lutheran University. In Massachusetts\, he was a faculty member at Community Music School of Springfield\, Bay Path University\, and Smith College. Andrew moved to Portland in 2019 and teaches out of his home studio. He is the President for East Portland District and the OMTA State Membership Chair.
URL:https://oregonmta.org/event/grant-event-teaching-adult-piano-students/
LOCATION:First United Methodist Church – Medford\, 607 W Main St\, Medford\, OR\, 97501
CATEGORIES:District Grant Event,Workshop/Seminar/Class
ORGANIZER;CN="Terri Horn":MAILTO:terrrisuehorn@gmail.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20241102T140000
DTEND;TZID=America/Los_Angeles:20241102T160000
DTSTAMP:20260603T215641
CREATED:20240930T170828Z
LAST-MODIFIED:20240930T170828Z
UID:11060-1730556000-1730563200@oregonmta.org
SUMMARY:Grant Event - How to Start Improvising at the Piano
DESCRIPTION:Presenting District: Umatilla-Morrow\nPresenter: Paula Dreyer\nProgram Description: Improvisation is a skill that can be learned\, just like everything else we teach. With the right tools\, some practice\, an open mind\, and a bit of bravery\, all pianists can learn how to improvise. Everyone will leave the session with concrete tools that will allow them to explore the piano in fresh\, new ways. Paula invites you to discover creativity at the piano. In this interactive workshop\, participants will explore a wide range of specific\, attainable improvisation concepts\, based off of rote pieces\, gorgeous chord progressions\, left hand patterns\, and more. After spending years exploring improvisation and composition\, Paula has discovered a framework to help you and your students become more versatile\, well-rounded musicians. \nAbout Paula Dreyer: Pianist Paula Dreyer is a composer\, educator\, and performer who seeks to inspire\, include\, and connect individuals through music. She believes that with proper guidance\, all people are capable of expressing themselves through music. Paula has presented and taught internationally (including China\, Brazil\, Spain\, MTNA\, and NCKP) about the pedagogical and therapeutic powers of rote pieces and beginning improvisation. She is the creator of the highly acclaimed Little Gems for Piano series\, full of appealing rote and pattern pieces. Her music has been published by Taubman’s Rotation and Alignment and the class piano book PianoLab. She currently teaches an online improvisation program called Piano Flow. \nPaula completed an artist residency at Obras in Portugal\, where she composed much of the music for the Little Gems. She has a real passion for creating unique\, accessible\, and enjoyable music for aspiring pianists and loves sharing her compositions with students around the globe. The Little Gems have been enjoyed in all 50 United States and in over 50 countries. When she’s not composing or teaching\, she loves spending time with her husband and two daughters and developing her concert series Piano Flow Live in the beautiful mountain town of Bend\, Oregon.
URL:https://oregonmta.org/event/grant-event-how-to-start-improvising-at-the-piano/
LOCATION:Hermiston Church of Jesus Christ of Latter-Day Saints\, 850 SW 11th St\, Hermiston\, OR\, 97838
CATEGORIES:District Grant Event,Workshop/Seminar/Class
ORGANIZER;CN="Sarah Milburn":MAILTO:sarahmilburn@yahoo.com
GEO:45.8344552;-119.3117027
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Hermiston Church of Jesus Christ of Latter-Day Saints 850 SW 11th St Hermiston OR 97838;X-APPLE-RADIUS=500;X-TITLE=850 SW 11th St:geo:-119.3117027,45.8344552
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20241026T090000
DTEND;TZID=America/Los_Angeles:20241026T120000
DTSTAMP:20260603T215641
CREATED:20240930T163505Z
LAST-MODIFIED:20241011T232338Z
UID:11054-1729933200-1729944000@oregonmta.org
SUMMARY:Grant Event - How to Start Improvising at the Piano and Rote Pieces: One Piece of the Pedagogical Puzzle
DESCRIPTION:Presenting District: Blue Mountain\nPresenter: Paula Dreyer\nProgram Description: \nImprovisation is a skill that can be learned\, just like everything else we teach. With the right tools\, some practice\, an open mind\, and a bit of bravery\, all pianists can learn how to improvise. Everyone will leave the session with concrete tools that will allow them to explore the piano in fresh\, new ways. Paula invites you to discover creativity at the piano. In this interactive workshop\, participants will explore a wide range of specific\, attainable improvisation concepts\, based off of rote pieces\, gorgeous chord progressions\, left hand patterns\, and more. After spending years exploring improvisation and composition\, Paula has discovered a framework to help you and your students become more versatile\, well-rounded musicians. \nRote pieces\, learned through modeling and demonstration\, have recently become widely popular in the piano pedagogy field. They are highly beneficial for teaching technique and expression while enhancing musical memory and reading skills. They offer impressive\, motivating recital pieces for beginners. Teachers will learn how and why to teach rote pieces\, gain new tools for creativity in the lesson through improvisation and composition\, and will discover new resources to enhance and compliment standard beginning repertoire.
URL:https://oregonmta.org/event/grant-event-how-to-start-improvising-at-the-piano-and-rote-pieces-one-piece-of-the-pedagogical-puzzle/
LOCATION:Groth Recital Hall\, Eastern Oregon University\, One University Blvd\, La Grande\, Oregon\, 97850
CATEGORIES:District Grant Event,Workshop/Seminar/Class
ORGANIZER;CN="Jan Miller":MAILTO:j.d.miller@frontier.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20241012T100000
DTEND;TZID=America/Los_Angeles:20241012T120000
DTSTAMP:20260603T215641
CREATED:20240914T233414Z
LAST-MODIFIED:20240914T233414Z
UID:11000-1728727200-1728734400@oregonmta.org
SUMMARY:Grant Event - The Well-Rounded Musician
DESCRIPTION:Presenting District: Umatilla-Morrow\nPresenter: Joseph Hoffman\nProgram Description: Do you teach your students to transpose? Do you ever read lead sheets? What about improvising and harmonic analysis? Even beginners can tackle these often-overlooked but highly useful skills if taught in the right way\, opening doors to creativity and deep music theory comprehension to last a lifetime! \nAbout Joseph Hoffman: Joseph Hoffman\, founder of Hoffman Academy and creator of the Hoffman Method for Piano\, began playing piano when he was 6 years old. A YouTube personality\, Kodaly-certified music educator\, and former faculty member at BYU’s School of Music\, Mr. Hoffman has dedicated his professional life to developing an innovative new piano method along with a host of online tools\, games\, and resources for students and teachers that make learning piano fun. His online piano lessons have reached over 200\,000 students across 115 countries\, transforming the way piano education is accessed worldwide. \nJoseph Hoffman is also active as a composer and conductor\, and his original works have been heard in many performance halls. From 2011-2013\, Mr. Hoffman served as orchestra conductor of the Portland Ensign Choir and Orchestra. Mr. Hoffman regularly serves as an adjudicator of piano festivals and events\, and provides training to piano teachers on the Hoffman Method. He has created a collection of popular song arrangements for beginning through late elementary piano students\, “Mr. Hoffman’s Popular Hits for Piano\,” published by Hal Leonard\, and a vocal pedagogy book in collaboration with Betty Jeanne Chipman\, “Singing with Mind\, Body\, and Soul\,” published by Wheatmark Press.
URL:https://oregonmta.org/event/grant-event-the-well-rounded-musician/
LOCATION:Hermiston Church of Jesus Christ of Latter-Day Saints\, 850 SW 11th St\, Hermiston\, OR\, 97838
CATEGORIES:District Grant Event,Workshop/Seminar/Class
ORGANIZER;CN="Sarah Milburn":MAILTO:sarahmilburn@yahoo.com
GEO:45.8344552;-119.3117027
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Hermiston Church of Jesus Christ of Latter-Day Saints 850 SW 11th St Hermiston OR 97838;X-APPLE-RADIUS=500;X-TITLE=850 SW 11th St:geo:-119.3117027,45.8344552
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20241011T104500
DTEND;TZID=America/Los_Angeles:20241011T121500
DTSTAMP:20260603T215641
CREATED:20240914T231711Z
LAST-MODIFIED:20240914T231942Z
UID:10995-1728643500-1728648900@oregonmta.org
SUMMARY:Grant Event - Dance Music in Bach's Keyboard Works
DESCRIPTION:Presenting District: Central Oregon\nPresenter: Dr. Barbara Baird\nLocation: Please contact Melissa Barker\, NCTM\nProgram Description: When is a Courante not a Courante? Answer: when it’s a Corrente. Learn about the basic dance types used in the Baroque Dance Suite: Allemande\, Corrente/Courante\, Sarabande\, Gigue. How do the Italian and French styles of these dances impact their Tempi\, Character\, and musical interpretation? Learn guiding principles for approaching\, learning\, and performing these dance-inspired compositions. \nAbout Dr. Barbara Baird: Dr. Barbara Baird has recently retired from the music faculty of  the University of Oregon\, where she taught organ\, piano\, and harpsichord for over 35 years. A critically acclaimed performer\, Barbara has concertized throughout the United States\, as well as in Germany\, France\, Holland\, Switzerland\, Argentina\, Brazil\, and Australia. A frequent adjudicator and clinician\, she regularly conducts workshops and master classes for keyboardists\, particularly on Baroque and Classical Period Performance\, and Keyboard Pedagogy. She also enjoys working with young pianists who are learning the art of making music.
URL:https://oregonmta.org/event/grant-event-dance-music-in-bachs-keyboard-works/
LOCATION:OR
CATEGORIES:District Grant Event,Workshop/Seminar/Class
ORGANIZER;CN="Melissa Barker":MAILTO:missy@greengrassmusic.net
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20241008T104500
DTEND;TZID=America/Los_Angeles:20241008T121500
DTSTAMP:20260603T215641
CREATED:20240914T212741Z
LAST-MODIFIED:20240914T232035Z
UID:10989-1728384300-1728389700@oregonmta.org
SUMMARY:Grant Event -- Autism\, Neurodiversity\, and Music
DESCRIPTION:Presenting District: Linn-Benton\nPresenter: Emily Ross\nLocation: Please contact Mary Ann Guenther\, NCTM\nProgram Description: In 2021\, the CDC reported that approximately 1 in 44 children in the U.S. is diagnosed with an autism spectrum disorder. But what exactly is autism? What is meant by “spectrum” and is it really a disorder? In this workshop we will learn about the history of the autism diagnosis\, how and why so many autistic individuals are drawn to music\, and how a private music teacher can reach and teach the autistic music student. We will also cover the Neurodiversity movement\, the nuance of language regarding disability and human dignity\, and specific strategies for adapting lessons for the autistic learner. \nAbout Emily Ross: Emily Ross holds a Bachelor of Music Education from University of Colorado and a Master’s in Counseling Psychology with an emphasis in music therapy from Naropa University. Her teaching experience includes public school band and general music (7 yrs)\, English as a Foreign Language (2 yrs) and university courses in music therapy and psychology (15 yrs). Additionally\, Emily has taught private lessons in guitar\, and French horn\, and trained and supervised practicum students in the field.  She is the owner of HoofnHorn Music Therapy Studio\, hnhmusictherapy.com\, where she specializes in connecting with those with learning differences including autism\, ADHD\, and developmental delay. She also offers trainings throughout Oregon and SW Washington. Information about trainings and workshops for music therapists\, teachers and parents can be found at EmilyRossTrainer.com. Emily played French horn in the Portland Wind Symphony for 18 years and is now enjoying learning Celtic harp and singing in the Portland Community Choir.
URL:https://oregonmta.org/event/grant-event-autism-neurodiversity-and-music/
LOCATION:OR
CATEGORIES:District Grant Event,Workshop/Seminar/Class
ORGANIZER;CN="Mary Ann Guenther":MAILTO:mguenther@comcast.net
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20240923T100000
DTEND;TZID=America/Los_Angeles:20240923T112000
DTSTAMP:20260603T215641
CREATED:20240817T184606Z
LAST-MODIFIED:20240817T184631Z
UID:10895-1727085600-1727090400@oregonmta.org
SUMMARY:Grant Event -- Point of View: Syllabus as a Teacher\, Syllabus as an Adjudicator
DESCRIPTION:Presenting District: Eugene\nPresenter: Heidi Evans\, NCTM\nProgram Description: Heidi Evans\, past OMTA Syllabus Chair\, presents a session on tips for using the OMTA Syllabus program in the piano studio. This talk covers benefits and resources of the OMTA Syllabus program\, how to manage teaching the skills and repertoire over the course of the year\, which resources are the most valuable (and when NOT to use them)\, and how to choose and prepare repertoire. Heidi balances this talk by sharing what an adjudicator expects to hear in the exam and how to prepare the student for a successful Syllabus experience. \nAbout Heidi Evans: Heidi Evans is a Nationally Certified Teacher with a Master’s Degree from Portland State University where she studied with Harold Gray and Mary Hall Kogen. In her nearly three decades of teaching experience with students of all ages and levels\, she has adjudicated festivals and events around the state since 2005\, was OMTA Syllabus chair for five years\, and currently occupies the position of President of Oregon Music Teachers Association. She recently joined the 8-hand performing quartet\, “Too Grand\,” which has been performing and raising money for scholarships for nearly four decades. Her latest deep dive into piano repertoire research is music by under-represented composers with a focus on pedagogical works. Her ultimate goal is to teach each student to teach themselves\, so that music can be a rewarding lifetime experience.
URL:https://oregonmta.org/event/grant-event-point-of-view-syllabus-as-a-teacher-syllabus-as-an-adjudicator/
LOCATION:First Congregational Church – Eugene\, 1050 E 23rd Ave\, Eugene\, OR\, 97405
CATEGORIES:District Grant Event
ORGANIZER;CN="Brian Hsu":MAILTO:brianhsu@uoregon.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20240911T103000
DTEND;TZID=America/Los_Angeles:20240911T120000
DTSTAMP:20260603T215641
CREATED:20240817T002726Z
LAST-MODIFIED:20240817T183800Z
UID:10888-1726050600-1726056000@oregonmta.org
SUMMARY:Grant Event -- Teaching Rhythm with the Child's Brain in Mind
DESCRIPTION:Presenting District: Hillsboro Area\nPresenter: Joseph Hoffman\nProgram Description: Many developing pianists struggle to play rhythms accurately and with a steady pulse\, but it doesn’t have to be this way. Learn new fun and effective tools for teaching rhythm that align with modern cognitive science of how young minds learn. \nAbout Joseph Hoffman: Joseph Hoffman\, founder of Hoffman Academy and creator of the Hoffman Method for Piano\, began playing piano when he was 6 years old. A YouTube personality\, Kodaly-certified music educator\, and former faculty member at BYU’s School of Music\, Mr. Hoffman has dedicated his professional life to developing an innovative new piano method along with a host of online tools\, games\, and resources for students and teachers that make learning piano fun. His online piano lessons have reached over 200\,000 students across 115 countries\, transforming the way piano education is accessed worldwide. \nJoseph Hoffman is also active as a composer and conductor\, and his original works have been heard in many performance halls. From 2011-2013\, Mr. Hoffman served as orchestra conductor of the Portland Ensign Choir and Orchestra. Mr. Hoffman regularly serves as an adjudicator of piano festivals and events\, and provides training to piano teachers on the Hoffman Method. He has created a collection of popular song arrangements for beginning through late elementary piano students\, “Mr. Hoffman’s Popular Hits for Piano\,” published by Hal Leonard\, and a vocal pedagogy book in collaboration with Betty Jeanne Chipman\, “Singing with Mind\, Body\, and Soul\,” published by Wheatmark Press. \nSpecial note: There will be a 30-minute Hillsboro Area District business meeting at 10:00 am\, followed by Joseph Hoffman’s presentation at 10:30 am. Please email us to receive a Zoom link if needed.
URL:https://oregonmta.org/event/teaching-rhythm-with-the-childs-brain-in-mind/
LOCATION:Brookwood Library Community Room\, 2850 NE Brookwood Parkway\, Hillsboro\, Oregon\, 97124
CATEGORIES:District Event,District Grant Event,Hillsboro Area
ORGANIZER;CN="Sarah Ball":MAILTO:sarahbarkerball@gmail.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20240601T100000
DTEND;TZID=America/Los_Angeles:20240601T120000
DTSTAMP:20260603T215641
CREATED:20240508T172552Z
LAST-MODIFIED:20240508T172552Z
UID:10608-1717236000-1717243200@oregonmta.org
SUMMARY:Grant Event - Decoding a Baroque Score
DESCRIPTION:Presenting District: Rogue Valley\nPresenter: Deborah Cleaver\nProgram Description: In Decoding a Baroque Score\, we will analyze genre\, articulation\, ornamentation\, and rhythmic  expression in works of beginning\, intermediate\, and advanced pieces from the Baroque era. Special emphasis will be placed on how to communicate to students an approach for learning a new work. Because the notation in Baroque music is the least informative of all the styles\, we need concepts to understand when and why we articulate\, appropriate ornamentation\, and how to decipher the complex rhythms.\nAbout Deborah Cleaver: Deborah Ingram Cleaver holds a Master of Music degree in piano performance from Boston University where she studied with the renowned pianist and pedagogue Leonard Shure. After finishing her degree\, she worked closely with Shure as his teaching assistant at New England Conservatory.\nMs. Cleaver has also spent many years studying the performance practice of the Baroque and Classic periods with such luminaries as Sandra Rosenblum\, Edward Parmentier\, and Elisabeth Wright. Her broad interests have resulted in lectures for universities and music teachers’ organizations\, ranging from the expressive aspects of Baroque performance practice to the correlation between Romantic literature and music.\nMs. Cleaver teaches at Lewis and Clark College and Reed College as well as in her private studio. She also organizes seminars three times each year for the Portland/Golandsky Institute community and is a past president of OMTA Portland District. She has been a faculty member of the Golandsky Institute since 2005 and teaches at their annual Summer Symposium. Previous teaching positions have been at Willamette University\, St. Andrews College\, and the South Shore Conservatory in Boston.\nAn avid performer\, she has appeared with the Fear No Music Ensemble\, the DeRosa Chamber Players\, Cascadia Composers\, Friends of Rain\, and the Makrokosmos Project. She has had performances aired on the classical music programs Played in Oregon and All Classical Portland. In addition\, she has given lectures\, workshops\, and recitals at Portland State University\, Eastern Washington University\, and for Oregon and Washington music teachers’ associations\, and is a frequent adjudicator throughout the Northwest.
URL:https://oregonmta.org/event/grant-event-decoding-a-baroque-score/
LOCATION:First United Methodist Church – Medford\, 607 W Main St\, Medford\, OR\, 97501
CATEGORIES:District Grant Event,Workshop/Seminar/Class
ORGANIZER;CN="Michele Alspach":MAILTO:malspach@ccountry.net
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20240503T110000
DTEND;TZID=America/Los_Angeles:20240503T123000
DTSTAMP:20260603T215641
CREATED:20240403T015920Z
LAST-MODIFIED:20240403T015920Z
UID:10519-1714734000-1714739400@oregonmta.org
SUMMARY:Grant Event - Developing the Culture of Beautiful Tone Production on the Piano from an Early Age
DESCRIPTION:Presenting District: Lincoln County\nPresenter: Dr. Alex Tutunov\nProgram Description: There is a great deal of information available on how to improve the speed\, velocity and stamina in a performance\, on “how to get a difficult run up to speed” and there are more performances out there that are louder and faster than ever before… But this is only a part of the performance. The other half is the expression\, control of the tone quality\, the culture of creating a beautiful sound on the piano. It can be understood as the broader aspect of the general technique\, and there is much to discuss and to discover. The focus of this presentation is on how to teach\, control\, and how to practice creating such tone.\nAbout Alex Tutunov: Alexander Tutunov is widely recognized as one of the most outstanding virtuosos of the former Soviet Union. First Prize winner of the Belarusian National Piano Competition and winner of the Russian National Piano Competition\, Tutunov’s playing was described by Soviet Culture\, Moscow\, as “exhilarating and inspired\, and which demonstrated a unique talent.” \nDr. Tutunov maintains a busy performing schedule in Europe\, China\, Mexico\, and the United States as a recitalist\, soloist with orchestra\, and on radio and television. Dr. Tutunov is also in demand as an adjudicator for piano competitions. Tutunov graduated magna cum laude from the Central Music School of the Moscow Conservatory (studies with Anna Artobolevskaya and Lev Naumov) and University of North Texas (piano studies with Joseph Banowetz). Awarded his doctoral diploma with honors in concert performance from the Belarusian State Conservatory\, Dr. Tutunov has taught at the Minsk College of Music\, the University of North Texas\, and Illinois Wesleyan University. \nAlexander Tutunov now lives in Ashland\, where he is Professor of Piano and Artist in Residence at Southern Oregon University. A successful piano pedagogue\, he continues to prepare award-winning students. Dr. Tutunov has been the Artist in Residence at the University of Alaska Southeast\, Artistic director of the SOU International Piano Institute\, and the Director of the Chinese-American International Piano Institute in Chengdu\, China.
URL:https://oregonmta.org/event/grant-event-developing-the-culture-of-beautiful-tone-production-on-the-piano-from-an-early-age/
LOCATION:Oregon Coast Community College\, 400 SE College Way\, Newport\, OR\, 97366
CATEGORIES:District Grant Event,Workshop/Seminar/Class
ORGANIZER;CN="Mary Morganti":MAILTO:maryjo3663@msn.com
GEO:44.6034889;-124.0460749
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Oregon Coast Community College 400 SE College Way Newport OR 97366;X-APPLE-RADIUS=500;X-TITLE=400 SE College Way:geo:-124.0460749,44.6034889
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20240428T140000
DTEND;TZID=America/Los_Angeles:20240428T160000
DTSTAMP:20260603T215641
CREATED:20240403T015255Z
LAST-MODIFIED:20240403T015255Z
UID:10517-1714312800-1714320000@oregonmta.org
SUMMARY:Grant Event - Master Class
DESCRIPTION:Presenting District: Mid-Columbia\nPresenter: Dr. Michelle Huang\nProgram Description: The master pianist/teacher will work with piano students in a master class setting while the audience is invited to learn by observing\nAbout Michelle Huang: A native of Taiwan\, pianist Michelle Huang has performed and taught extensively throughout the U.S. as well as abroad in the Czech Republic\, Italy\, Switzerland\, and Taiwan. Described as a pianist with much sensibility and nuance\, Michelle Huang is equally at home as soloist\, chamber musician\, and teacher. She has played numerous solo recitals\, gave workshops and masterclasses\, and collaborated frequently with vocalists and instrumentalists in the Mary L’Engle Ensemble\, the River City Trio\, the chamber group-in-residence at Friday Musicale in Jacksonville\, Florida\, and the Jacksonville Symphony and Richmond Symphony musicians. \nIn 2017\, she received a grant to commission ten paintings by two graduates of Virginia Commonwealth University art students. These paintings were presented alongside the complete performance of Mussorgsky’s piano suite Pictures at an Exhibition during her concert tour in 2018-19. Deeply committed to community outreach\, she launched a concert series during her residency at Edward Waters College\, in which high caliber artists performed concerts as well as conducted master classes\, workshops\, and lectures for the continuing enrichment and exposure of classical music to both the school and the community. She initiated the Mentoring Program as part of the Richmond Music Teachers Association\, in which young music teachers can be paired with experienced teachers to help them with aspects of teaching. \nShe is the co-founder of the Online Young Pianist Summer Symposium\, which launched in May 2020 in the middle of the pandemic. The Symposium was conducted virtually for pre-college and college students as well as teachers\, in which guest speakers were invited to present topics such as the art of practicing\, the art of memorization\, and Alexander Technique\, as well as a masterclass. \nMichelle Huang holds bachelor’s and master’s degrees from the University of North Carolina at Chapel Hill and the University of Tennessee\, and Doctor of Music in Piano Performance from Florida State University. Her principal teachers include Barbara Rowan\, David Northington\, and Read Gainsford. Dr. Huang has held teaching positions at Walter State Community College and Lincoln Memorial University. In 2011 – 2014\, she served as the Assistant Professor of Piano at Edward Waters College in Jacksonville\, Florida. Most recently\, she was on the piano faculty at the Virginia Commonwealth University in Richmond\, Virginia. In the summer\, she served on the faculty of East/West International Piano Festival in Seoul\, Korea. In addition to teaching in the collegiate setting\, Dr. Huang also maintains a private studio\, where she works with talented pre-college students both in her Seattle studio and online. She has served as President and first Vice President of Programming for the Richmond Music Teachers Association. She is currently an active member of the Seattle Music Teachers Association and Eastside Music Teachers Association. Highly demanded as a frequent presenter and adjudicator\, she is a Visiting Artist for the Washington State Music Teachers Association. Many of her students have won top awards and successfully pursued studies and careers in music.
URL:https://oregonmta.org/event/grant-event-master-class-4/
LOCATION:Shepherd of the Valley Church\, 1631 8th St\, Hood River\, OR\, 97031
CATEGORIES:District Grant Event,Workshop/Seminar/Class
ORGANIZER;CN="Rebecca Gooch":MAILTO:mid-columbia@oregonmta.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20240412T103000
DTEND;TZID=America/Los_Angeles:20240412T121500
DTSTAMP:20260603T215641
CREATED:20240302T194626Z
LAST-MODIFIED:20240302T194626Z
UID:10413-1712917800-1712924100@oregonmta.org
SUMMARY:Grant Event - Practice Smarter\, Not Longer
DESCRIPTION:Presenting District: Central Oregon\nLocation: Studio of Melissa Farle\, Bend\, OR (Contact Melissa Barker for directions)\nPresenter: Dr. Lark Powers\nProgram Description: This presentation will delve into fascinating research on how the brain learns and how this relates to music and practicing. Offering innovative and practical advice\, topics discussed will include organization\, spacing\, the effectiveness of interleaved (random) repetition\, first-time retrieval strategies\, performance preparation\, and common practice mistakes. With strategies to overcome the challenge of getting started\, making improvement that sticks\, staying focused\, and planning the next session\, this presentation will suggest ideas that can make practice rewarding and effective.\nAbout Dr. Lark Powers: In demand as a solo and collaborative artist as well as an adjudicator and presenter\, Dr. Lark Powers has performed at such venues as Philadelphia’s Kimmel Center\, the 92nd Street Y in New York City and at the Library of Congress in Washington\, D.C. Internationally she has been heard in Europe\, Mexico and Canada. In addition to numerous collaborations with ensembles\, including the Tacoma Symphony\, Fort Collins Symphony\, the Washington-Idaho Symphony\, and the Baroque Chamber Orchestra of Colorado\, she appears in frequent two-piano concerts as part of the duo she forms with pianist Ricardo de la Torre. Locally she is a frequent performer on the Listen Live at Lunch series at the First Lutheran Church of Tacoma\, the Second City Chamber Series\, and the faculty artist series at Pacific Lutheran University. \nLark received a DMA in piano performance from the University of Colorado Boulder\, and holds three Master’s degrees (in piano\, theory pedagogy and in harpsichord) and a graduate performance diploma in piano from the Peabody Institute. Her undergraduate studies occurred at the University of the Pacific\, where she earned a BM in piano performance\, summa cum laude\, after which she attended the Conservatoire National de Région de Paris for three years where she won a premier prix. \nA Nationally Certified Teacher of Music and a Washington State Visiting Artist\, Lark teaches at Pacific Lutheran University where she instructs applied lessons and accompanying\, and coordinates the group keyboard program. Dr. Powers has presented on topics including managing performance anxiety\, the creativity inherent in the Baroque repertoire\, the pedagogy of keyboard harmony\, and more. She is a proponent of new music\, specializing in the music of Latin American composers\, and can be heard on recordings with the Pan Pacific Ensemble on Albany records and the Cherry Creek Flute Duo.
URL:https://oregonmta.org/event/grant-event-practice-smarter-not-longer-6/
LOCATION:OR
CATEGORIES:District Grant Event,Workshop/Seminar/Class
ORGANIZER;CN="Melissa Barker":MAILTO:missy@greengrassmusic.net
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20240410T103000
DTEND;TZID=America/Los_Angeles:20240410T120000
DTSTAMP:20260603T215641
CREATED:20240302T191914Z
LAST-MODIFIED:20240302T191914Z
UID:10410-1712745000-1712750400@oregonmta.org
SUMMARY:Grant Event - The Sustainable Studio
DESCRIPTION:Presenting District: Hillsboro\nPresenter: Dr. Lisa Neher\nProgram Description: Most music teachers experience burnout and overwhelm. How can we create and maintain a studio that is sustainable for our economic needs and our personal and family well-being? This presentation will offer best practices for designing studio policies and practices to ensure stable finances for you and your family\, protect your time and energy\, and provide clarity and professionalism to your students and studio families. Topics include: tuition models\, billing and scheduling software\, studio contracts and policies\, the ever-present “makeup lesson” question\, healthy and joyful boundaries\, and more. We will have time to address your questions and share strategies with one another. \nAbout Lisa Neher: New music powerhouse Dr. Lisa Neher (she/her) is an award-winning composer\, mezzo-soprano\, and actress on a mission to transform audiences through sound\, story\, and vulnerability. Described as a “visionary composer” (Willamette Week)\, “maestro of beautifully wacky noises” (Oregon ArtsWatch)\, and a composer of “varied and imitable” vocal lines (Contemporary Classical)\, Neher writes music inspired by the climate crisis\, the tender love of friends\, the ambiguities of death\, and the eerie mystery of deep ocean life. Her EP Of Wind and Waves explores the currents of air\, water\, and emotions that define our natural and psychological world. \nNeher’s works have been commissioned and performed by Third Angle New Music\, Fear No Music\, Opera Elect\, Opera Theatre Oregon\, Dinosaur Annex\, the Cortona Sessions for New Music\, Delgani String Quartet\, Choral Arts Ensemble\, and others across the United States and Europe. She is the winner of the ICDA/ICF Choral Competition\, the Flute New Music Consortium Composition Competition\, and the Mirror Visions Ensemble Young Composer Competition\, and was a NATS Composer Mentee\, working with Tom Cipullo. \nPraised as “a small woman with a very big voice” and “especially alive” (Oregon ArtsWatch)\, Neher captivates audiences as a performer with her electrifying dramatic commitment and unforgettable vocal colors. Her performance credits include Really Spicy Opera\, Third Angle New Music\, the Resonance Ensemble\, New Music Gathering\, Queer Opera\, the International Saxophone Symposium\, and Opera Theatre Oregon. She is a member of Portland Opera Chorus. She created the roles of Jennifer in Chamber Sounds of Singapore’s world premiere of One Thousand Paper Cranes for Japan by Rita Ueda\, Julian of Norwich in Brook Joyce’s monodrama the Showing of Love\, and the protagonist in Space Station 189\, a sci-fi opera for Instagram by JL Marlor and Aiden Feltkamp. Neher is the curator of the One Voice Project\, which champions unaccompanied solo vocal performance. \nNeher is a sought-after clinician on topics including composing for singers\, networking\, music business and entrepreneurship\, acting for singers and theatre tools for musicians. Her teaching credits include the Ultimate Music Business Summit\, and theToolbox Sessions\, as well as guest clinician appearances at Reed College\, University of Iowa\, Colorado State University\, OMTA\, Bandung Philharmonic in Indonesia\, and more. Her thriving private studio provides graduate-level education and mentorship in singing\, composition\, and career building for musicians from Australia to Europe. Neher holds degrees from the University of Iowa (DMA)\, University of Kansas (MM)\, and Lewis & Clark College (BA). She is an alumnus of the Gabriela Lena Frank Creative Academy of Music and the Cortona Sessions for New Music. She spends her free time training for triathlons\, watching science fiction movies\, and baking delicious treats involving copious amounts of chocolate. Her last name is pronounced “NEER.” For more information\, visit her website\, www.lisanehermusic.com.
URL:https://oregonmta.org/event/grant-event-the-sustainable-studio/
LOCATION:Brookwood Library Community Room\, 2850 NE Brookwood Parkway\, Hillsboro\, Oregon\, 97124
CATEGORIES:District Grant Event,Workshop/Seminar/Class
ORGANIZER;CN="Holly Counts":MAILTO:hollycounts@gmail.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20240409T110000
DTEND;TZID=America/Los_Angeles:20240409T130000
DTSTAMP:20260603T215641
CREATED:20240122T001923Z
LAST-MODIFIED:20240403T012701Z
UID:10283-1712660400-1712667600@oregonmta.org
SUMMARY:Grant Event - Tips for Terrific Technique
DESCRIPTION:Presenting District: Umpqua Valley-South Coast\nPresenter: Dr. Thomas Otten\nProgram Description: Technique may seem like rocket science—but it’s really not! In today’s world\, where we’re using our hands not only for piano playing but also for texting\, typing at a computer\, etc.\, it’s increasingly important to give our students a solid technical foundation to avoid overuse injuries. We’ll start with an exploration of fundamentals of good keyboard biomechanics\, and then apply these to technical issues such as scales\, arpeggios\, chords\, octaves\, and trills. There will also be an opportunity for participants to ask questions about technically challenging passages in repertoire that they’re teaching and/or playing.\nAbout Thomas Otten: Thomas Otten holds the title of Emeritus Professor\, having retired in 2018 as Piano Area Chair from the University of North Carolina at Chapel Hill. He now resides in Portland\, OR\, where he is establishing himself as a master teacher and concert artist. A California native born of German-American parents\, Dr. Otten has been hailed by the New York Times as “an extremely original player who puts a formidable technique at the service of his ideas.” He made his debut at age seventeen with the National Symphony Orchestra at the Kennedy Center\, and has since developed a global profile through performances in New York\, Washington\, Los Angeles\, St. Petersburg\, Sydney\, Munich\, Frankfurt\, and Milan\, including such venues as Carnegie Hall\, Alice Tully Hall\, Severance Hall\, the German Embassy\, and the National Press Club.  He has given guest artist recitals and masterclasses at top music schools and conservatories\, such as the Rimsky-Korsakov St. Petersburg State Conservatory in Russia\, the Munich Hochschule für Musik in Germany\, as well as the Eastman School of Music\, The Juilliard School\, and Oberlin Conservatory in the U.S. \nA recipient of numerous national and international awards\, Dr. Otten has studied with artist teachers John Perry and Nelita True\, and worked intensively with biomechanics expert Barbara Lister-Sink. He has been on the faculties of the International Young Artists Project (Italy)\, Saarburger Serenaden International Music Festival (Germany)\, the American Institute of Musical Studies (Austria)\, and the Kent/Blossom Festival (Ohio)\, as well as concerto soloist at the Chautauqua and Brevard Summer Festivals. He has been a member of competition juries in the U.S. and abroad\, and was founder of the Kent Piano Seminar in Ohio\, as well director of the UNC Liszt Festival\, UNC Etude Festival\, and the Ginastera Centennial Celebration in North Carolina. His discography includes transcriptions of Franz Liszt and a premiere recording of etudes by African American composer Leslie Adams. He is committed to diverse music of our time\, having also premiered works by electronic music expert Frances White and jazz pianist/composer Joe Utterback. \nDr. Otten’s former students include prize-winning concert artist Andrew Tyson\, along with other professional musicians who are active throughout the country. His collaborations include the Miami and Vega String Quartets\, violinist Richard Luby\, as well as baritone Marc Callahan and soprano Louise Toppin. For more information on Dr. Otten\, please visit his website at www.otten.studio.
URL:https://oregonmta.org/event/grant-event-tips-for-terrific-technique/
LOCATION:Centerstage Theater\, Whipple Fine Arts Bldg\, Umpqua Community College\, 1140 Umpqua College Rd\, Roseburg\, OR\, 97470
CATEGORIES:District Grant Event,Workshop/Seminar/Class
ORGANIZER;CN="Tammy Johnson":MAILTO:tamfinch@hotmail.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20240408T100000
DTEND;TZID=America/Los_Angeles:20240408T120000
DTSTAMP:20260603T215641
CREATED:20240215T181608Z
LAST-MODIFIED:20240215T181608Z
UID:10349-1712570400-1712577600@oregonmta.org
SUMMARY:Grant Event - Stepping into the Light: Thoughts on Performance Anxiety
DESCRIPTION:Presenting District: Rogue Valley\nPresenter: Dr. Diane Baxter\nProgram Description: Why are my hands cold and clammy? Why is my heart pounding? Did you just say something to me? No\, I can’t just relax! Performance anxiety is a complex topic that involves how we think\, how we feel\, and how we behave. The results of it may range from mildly discomforting to completely paralyzing. We all want to get it right when it matters most\, whether we are performers\, family members\, or teachers. All of us have something to gain by understanding what happens as we strive to excel. This talk will introduce some of the causes of performance anxiety and will offer some tips on how to do your best under duress. \nAbout Dr. Diane Baxter: Dr. Diane Baxter\, pianist\, educator and consultant\, is the editor of The Oregon Musician. She recently retired as Professor of Music at Western Oregon University where she  received the Faculty Honors Award for Outstanding Creativity and the Pastega Award for Excellence in Teaching. Diane taught studio piano and courses in Ethnomusicology\, Performance Anxiety\, and Research Methods. Dr. Baxter has adjudicated the Woodley Festival in Berkshire\, England on several occasions. She adjudicates for all ages\, and all levels. Diane consults and performs far and wide\, often giving workshops on doing our best under pressure. “The Science of Artistry: The Fourth String” was published in Clavier Companion in Nov/Dec 2013. Diane’s article\, “Ethnomusicology and Alchemy” was published in the April/May 2020 edition of American Music Teacher.  Diane performs and teaches in France each summer\, and in 2018 she began an international annual workshop on the shores of Loch Etive in the Scottish Highlands. The focus is on performance success and doing our best when it matters most. The workshop is thriving. Closer to home\, recently Diane started writing the program notes for Corvallis Piano International and she continues to perform as principal keyboardist for the Newport Symphony.  She lives\, writes\, plays and thinks in Brownsville\, Oregon.
URL:https://oregonmta.org/event/grant-event-stepping-into-the-light-thoughts-on-performance-anxiety-2/
LOCATION:First United Methodist Church – Medford\, 607 W Main St\, Medford\, OR\, 97501
CATEGORIES:District Grant Event,Workshop/Seminar/Class
ORGANIZER;CN="Michele Alspach":MAILTO:malspach@ccountry.net
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20240408T100000
DTEND;TZID=America/Los_Angeles:20240408T113000
DTSTAMP:20260603T215641
CREATED:20240215T180932Z
LAST-MODIFIED:20240215T180932Z
UID:10346-1712570400-1712575800@oregonmta.org
SUMMARY:Grant Event - The Art of Memorization
DESCRIPTION:Presenting District: Eugene\nPresenter: Dr. Michelle Huang\nProgram Description: “I played through it without the music just fine before!” We have all been there. What makes someone a better memorizer than others? In this talk\, we will look at the four different types of memory: visual\, tactile\, aural\, and analytical\, and how to best use them to securely memorize our pieces for the next performance. We will learn that there is a direct correlation between excellent practice habits and memory\, and how the act of storytelling can really help to secure that memory. \nAbout Dr. Michelle Huang: A native of Taiwan\, pianist Michelle Huang has performed and taught extensively throughout the U.S. as well as abroad in the Czech Republic\, Italy\, Switzerland\, and Taiwan. Described as a pianist with much sensibility and nuance\, Michelle Huang is equally at home as soloist\, chamber musician\, and teacher. She has played numerous solo recitals\, gave workshops and masterclasses\, and collaborated frequently with vocalists and instrumentalists in the Mary L’Engle Ensemble\, the River City Trio\, the chamber group-in-residence at Friday Musicale in Jacksonville\, Florida\, and the Jacksonville Symphony and Richmond Symphony musicians. In 2017\, she received a grant to commission ten paintings by two graduates of Virginia Commonwealth University art students. These paintings were presented alongside the complete performance of Mussorgsky’s piano suite Pictures at an Exhibition during her concert tour in 2018-19. Deeply committed to community outreach\, she launched a concert series during her residency at Edward Waters College\, in which high caliber artists performed concerts as well as conducted master classes\, workshops\, and lectures for the continuing enrichment and exposure of classical music to both the school and the community. She initiated the Mentoring Program as part of the Richmond Music Teachers Association\, in which young music teachers can be paired with experienced teachers to help them with aspects of teaching. She is the co-founder of the Online Young Pianist Summer Symposium\, which launched in May 2020 in the middle of the pandemic. The Symposium was conducted virtually for pre-college and college students as well as teachers\, in which guest speakers were invited to present topics such as the art of practicing\, the art of memorization\, and Alexander Technique\, as well as a masterclass. \nMichelle Huang holds bachelor’s and master’s degrees from the University of North Carolina at Chapel Hill and the University of Tennessee\, and Doctor of Music in Piano Performance from Florida State University. Her principal teachers include Barbara Rowan\, David Northington\, and Read Gainsford. Dr. Huang has held teaching positions at Walter State Community College and Lincoln Memorial University. In 2011 – 2014\, she served as the Assistant Professor of Piano at Edward Waters College in Jacksonville\, Florida. Most recently\, she was on the piano faculty at the Virginia Commonwealth University in Richmond\, Virginia. In the summer\, she served on the faculty of East/West International Piano Festival in Seoul\, Korea. In addition to teaching in the collegiate setting\, Dr. Huang also maintains a private studio\, where she works with talented pre-college students both in her Seattle studio and online. She has served as President and first Vice President of Programming for the Richmond Music Teachers Association. She is currently an active member of the Seattle Music Teachers Association and Eastside Music Teachers Association. Highly demanded as a frequent presenter and adjudicator\, she is a Visiting Artist for the Washington State Music Teachers Association. Many of her students have won top awards and successfully pursued studies and careers in music.
URL:https://oregonmta.org/event/grant-event-the-art-of-memorization-2/
LOCATION:First Congregational Church – Eugene\, 1050 E 23rd Ave\, Eugene\, OR\, 97405
CATEGORIES:District Grant Event,Workshop/Seminar/Class
ORGANIZER;CN="Grace Ho":MAILTO:ghopiano@gmail.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20240210T140000
DTEND;TZID=America/Los_Angeles:20240210T160000
DTSTAMP:20260603T215641
CREATED:20240113T194445Z
LAST-MODIFIED:20240113T194445Z
UID:10268-1707573600-1707580800@oregonmta.org
SUMMARY:Grant Event - Piano Flow: Create and Elevate
DESCRIPTION:Presenting District: Umatilla-Morrow\nPresenter: Paul Dreyer\nProgram Description: Paula uses her Little Gems for Piano pieces as a springboard for creativity. Even if you have never improvised\, you will leave the session with some concrete tools that will allow you to explore the piano in fresh\, new ways.\nAbout Paula Dreyer: Paula Dreyer is a classically-trained pianist and composer\, making music in a unique style that draws upon influences of classical\, Spanish\, film\, and improvisational music. Known for her transporting and mesmerizing performances\, Paula has graced world-class stages from Carnegie Hall to the Green Music Center\, performing in the US\, Canada\, Nicaragua\, Prague\, Portugal\, and Spain. She has been an Artist-in-Residence at Obras in Portugal\, where she composed much of the music for her globally successful Little Gems for Piano educational series. Paula is also a well respected educator and presents nationally to music teachers. She has collaborated with world-renowned choreographer Kevin Jenkins and San Francisco based visual artist Adrian Arias\, as well as with genre defying groups Potaje and Matt Small’s Chamber Ensemble. Paula was a band member for San Francisco’s legendary show Beach Blanket Babylon. She was the winner of the Montréal Classical Music Festival and was a chamber music semi-finalist in the Concert Artist Guild Competition at New York’s Merkin Hall. In her debut original solo album Central Star\, Paula tells a personal\, yet universal story about the powers of imagination\, intuition\, and creative expression during challenging times of transition\, as well as offering a therapeutic medium during everyday life. pauladreyer.com/presentations
URL:https://oregonmta.org/event/grant-event-piano-flow-create-and-elevate/
LOCATION:Hermiston Church of Jesus Christ of Latter-Day Saints\, 850 SW 11th St\, Hermiston\, OR\, 97838
CATEGORIES:District Grant Event,Workshop/Seminar/Class
ORGANIZER;CN="Sarah Milburn":MAILTO:sarahmilburn@yahoo.com
GEO:45.8344552;-119.3117027
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Hermiston Church of Jesus Christ of Latter-Day Saints 850 SW 11th St Hermiston OR 97838;X-APPLE-RADIUS=500;X-TITLE=850 SW 11th St:geo:-119.3117027,45.8344552
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20240210T100000
DTEND;TZID=America/Los_Angeles:20240210T120000
DTSTAMP:20260603T215641
CREATED:20240106T214301Z
LAST-MODIFIED:20240106T214301Z
UID:10213-1707559200-1707566400@oregonmta.org
SUMMARY:Grant Event - Off the Beaten Path
DESCRIPTION:Presenting District: Bule Mountain\nPresenter: Heidi Evans\nProgram Description: Heidi will present a list of inspired pieces by lesser-known composers\, with a focus on works by women and BIPOC artists. These pieces will be presented according to level: elementary and early through late intermediate. Most of the repertoire will be from the Romantic and 20th Century eras\, with a few gems from earlier\, and references to some living composers as well. All pieces are suitable for the OMTA Syllabus program. Come explore some new music!\nAbout Heidi Evans: Heidi Evans is a Nationally Certified Teacher and holds a Masters Degree from Portland State University. She has over twenty years teaching experience with students of all levels and ages. Her ultimate goal is to teach each student to teach themselves\, so that music can be a rewarding lifetime experience. She maintains a private studio in the greater Portland area\, and is married with two teenage children. She also enjoys playing the harp\, reading\, hiking\, white-water rafting\, and gardening with her two black cats\, Shadow & Inky.
URL:https://oregonmta.org/event/grant-event-off-the-beaten-path/
LOCATION:Groth Recital Hall\, Eastern Oregon University\, One University Blvd\, La Grande\, Oregon\, 97850
CATEGORIES:District Grant Event,Workshop/Seminar/Class
ORGANIZER;CN="Jan Miller":MAILTO:j.d.miller@frontier.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20240203T140000
DTEND;TZID=America/Los_Angeles:20240203T160000
DTSTAMP:20260603T215641
CREATED:20240106T214947Z
LAST-MODIFIED:20240106T214947Z
UID:10216-1706968800-1706976000@oregonmta.org
SUMMARY:Grant Event - Master Class
DESCRIPTION:Presenting District: Umpqua Valley-South Coast\nPresenter: Dr. Michelle Huang\nProgram Description: The masterclass teacher will work with piano students in a master class setting while the audience is invited to learn by observing.\nAbout Dr. Michelle Huang:  A native of Taiwan\, pianist Michelle Huang has performed and taught extensively throughout the U.S. as well as abroad in the Czech Republic\, Italy\, Switzerland\, and Taiwan. Described as a pianist with much sensibility and nuance\, Michelle Huang is equally at home as soloist\, chamber musician\, and teacher. She has played numerous solo recitals\, gave workshops and masterclasses\, and collaborated frequently with vocalists and instrumentalists in the Mary L’Engle Ensemble\, the River City Trio\, the chamber group-in-residence at Friday Musicale in Jacksonville\, Florida\, and the Jacksonville Symphony and Richmond Symphony musicians. In 2017\, she received a grant to commission ten paintings by two graduates of Virginia Commonwealth University art students. These paintings were presented alongside the complete performance of Mussorgsky’s piano suite Pictures at an Exhibition during her concert tour in 2018-19. Deeply committed to community outreach\, she launched a concert series during her residency at Edward Waters College\, in which high caliber artists performed concerts as well as conducted master classes\, workshops\, and lectures for the continuing enrichment and exposure of classical music to both the school and the community. She initiated the Mentoring Program as part of the Richmond Music Teachers Association\, in which young music teachers can be paired with experienced teachers to help them with aspects of teaching. She is the co-founder of the Online Young Pianist Summer Symposium\, which launched in May 2020 in the middle of the pandemic. The Symposium was conducted virtually for pre-college and college students as well as teachers\, in which guest speakers were invited to present topics such as the art of practicing\, the art of memorization\, and Alexander Technique\, as well as a masterclass. \nMichelle Huang holds bachelor’s and master’s degrees from the University of North Carolina at Chapel Hill and the University of Tennessee\, and Doctor of Music in Piano Performance from Florida State University. Her principal teachers include Barbara Rowan\, David Northington\, and Read Gainsford. Dr. Huang has held teaching positions at Walter State Community College and Lincoln Memorial University. In 2011- 2014\, she served as the Assistant Professor of Piano at Edward Waters College in Jacksonville\, Florida. Most recently\, she was on the piano faculty at the Virginia Commonwealth University in Richmond\, Virginia. In the summer\, she served on the faculty of East/West International Piano Festival in Seoul\, Korea. In addition to teaching in the collegiate setting\, Dr. Huang also maintains a private studio\, where she works with talented pre-college students both in her Seattle studio and online. She has served as President and first Vice President of Programming for the Richmond Music Teachers Association. She is currently an active member of the Seattle Music Teachers Association and Eastside Music Teachers Association. Highly demanded as a frequent presenter and adjudicator\, she is a Visiting Artist for the Washington State Music Teachers Association. Many of her students have won top awards and successfully pursued studies and careers in music.
URL:https://oregonmta.org/event/grant-event-master-class-3/
LOCATION:Douglas County Library Ford Room\, 1409 NE Diamond Lake Blvd\, Roseburg\, Oregon\, 97470
CATEGORIES:District Grant Event,Workshop/Seminar/Class
ORGANIZER;CN="Tammy Johnson":MAILTO:tamfinch@hotmail.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20240202T100000
DTEND;TZID=America/Los_Angeles:20240202T120000
DTSTAMP:20260603T215641
CREATED:20231209T234356Z
LAST-MODIFIED:20240116T182828Z
UID:10166-1706868000-1706875200@oregonmta.org
SUMMARY:Grant Event - Playing with Blocks
DESCRIPTION:Presenting District: Salem\nPresenter: Dr. Lark Powers\nProgram Description: When students build a repertory of chord progressions\, learning pieces becomes a process of assembling familiar blocks of harmony. This session will explore a series of keyboard harmony exercises from simple to complex\, focusing on patterns most often found in student repertoire\, and will examine passages where these progressions are found in the repertoire. Through these exercises\, students can apply harmony in a hands-on way towards learning pieces\, memorizing\, and developing logical musical expression.\nAbout Lark Powers: In demand as a solo and collaborative artist as well as an adjudicator and presenter\, Dr. Lark Powers has performed at such venues as Philadelphia’s Kimmel Center\, the 92nd Street Y in New York City and at the Library of Congress in Washington\, D.C. Internationally she has been heard in Europe\, Mexico and Canada. In addition to numerous collaborations with ensembles\, including the Tacoma Symphony\, Fort Collins Symphony\, the Washington-Idaho Symphony\, and the Baroque Chamber Orchestra of Colorado\, she appears in frequent two-piano concerts as part of the duo she forms with pianist Ricardo de la Torre. Locally she is a frequent performer on the Listen Live at Lunch series at the First Lutheran Church of Tacoma\, the Second City Chamber Series\, and the faculty artist series at Pacific Lutheran University.\nLark received a DMA in piano performance from the University of Colorado Boulder\, and holds three Master’s degrees (in piano\, theory pedagogy and in harpsichord) and a graduate performance diploma in piano from the Peabody Institute. Her undergraduate studies occurred at the University of the Pacific\, where she earned a BM in piano performance\, summa cum laude\, after which she attended the Conservatoire National de Région de Paris for three years where she won a premier prix.\nA Nationally Certified Teacher of Music and a Washington State Visiting Artist\, Lark teaches at Pacific Lutheran University where she instructs applied lessons and accompanying\, and coordinates the group keyboard program. Dr. Powers has presented on topics including managing performance anxiety\, the creativity inherent in the Baroque repertoire\, the pedagogy of keyboard harmony\, and more. She is a proponent of new music\, specializing in the music of Latin American composers\, and can be heard on recordings with the Pan Pacific Ensemble on Albany records and the Cherry Creek Flute Duo. \nNote: Three hours of parking is free for this event in the Library Parkade.
URL:https://oregonmta.org/event/grant-event-playing-with-blocks/
LOCATION:Salem Public Library\, Loucks Auditorium\, 585 Liberty St SE\, Salem\, OR\, 97301
CATEGORIES:District Grant Event,Workshop/Seminar/Class
ORGANIZER;CN="Deborah Butler":MAILTO:butlers9@frontier.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20240120T100000
DTEND;TZID=America/Los_Angeles:20240120T120000
DTSTAMP:20260603T215641
CREATED:20231209T233308Z
LAST-MODIFIED:20231209T233458Z
UID:10164-1705744800-1705752000@oregonmta.org
SUMMARY:Grant Event - Composition: Stealing from the Masters
DESCRIPTION:Presenting District: Umatilla-Morrow\nPresenter: Dianne Davies\nProgram Description: This workshop is to encourage teachers to present repertoire to students as a guide to their own creativity. Dianne’s “Rainforest Animals” were inspired by two Debussy Preludes.\nAbout Dianne Davies: Dianne Davies received a BA in music from Lewis and Clark College with piano emphasis and K-12 music education certification. Since then\, Dianne has taught public and private school music and currently focuses on her private piano studio in Beaverton and performing. In 2010 Dianne created and performed her comedy show Dianne Davies Has Fallen Off Her Bench and in 2016\, she created\, produced\, and performed a new show titled Attachments & Detachments–Tragedy to Triumph combining the music of Cascadia Composers\, the Northwest Regions chapter of NACUSA (National Association of Composers USA)\, with dance\, live art\, and theatre to tell her own transparent story. In 2016\, Dianne also began composing pieces for piano students. Since 2018\, her student compositions have been performed each year at PSU in the Cascadia sponsored concert\, In Good Hands\, that connects living composers with young music students. Most recently\, in December 2019 she produced another show with all her own compositions and arrangements for Christmas titled Soli Deo Gloria. Dianne created and performed original piano solo pieces\, piano solo arrangements of Chopin Nocturnes fused with traditional carols (Romantic Christmas Suite)\, as well as a violin & piano duet\, violin & cello duet\, vocal solos and choral works. Again\, she collaborated with live dancers and multi-media visual artist Collin Murphy. Dianne chairs the State Composition Celebration Virtual Event. Watch for her monthly column in the OMTA Music News on-line publication and her current performing and composing projects at musiqPOWER.com.
URL:https://oregonmta.org/event/grant-event-composition-stealing-from-the-masters-2/
LOCATION:Hermiston Church of Jesus Christ of Latter-Day Saints\, 850 SW 11th St\, Hermiston\, OR\, 97838
CATEGORIES:District Grant Event,Workshop/Seminar/Class
ORGANIZER;CN="Sarah Milburn":MAILTO:sarahmilburn@yahoo.com
GEO:45.8344552;-119.3117027
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Hermiston Church of Jesus Christ of Latter-Day Saints 850 SW 11th St Hermiston OR 97838;X-APPLE-RADIUS=500;X-TITLE=850 SW 11th St:geo:-119.3117027,45.8344552
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20240109T101500
DTEND;TZID=America/Los_Angeles:20240109T114500
DTSTAMP:20260603T215641
CREATED:20231209T230726Z
LAST-MODIFIED:20231209T231546Z
UID:10157-1704795300-1704800700@oregonmta.org
SUMMARY:Grant Event - Incorporating Composing into Your Studio Teaching
DESCRIPTION:Presenting District: Linn-Benton\nPresenter: Dr. Lisa Neher\nProgram Description: In this workshop\, learn methods for incorporating composing in your studio lessons.We will discuss existing resources for teachers and ways to create your own composition assignments and prompts\, as well as how to break down the process of composing a piece into small pieces that can be achieved using just a few minutes of lesson time each week.\nAbout Lisa Neher: New music powerhouse Dr. Lisa Neher (she/her) is an award-winning composer\, mezzo-soprano\, and actress on a mission to transform audiences through sound\, story\, and vulnerability. Described as a “visionary composer” (Willamette Week)\, “maestro of beautifully wacky noises” (Oregon ArtsWatch)\, and a composer of “varied and imitable” vocal lines (Contemporary Classical)\, Neher writes music inspired by the climate crisis\, the tender love of friends\, the ambiguities of death\, and the eerie mystery of deep ocean life. Her EP Of Wind and Waves explores the currents of air\, water\, and emotions that define our natural and psychological world. Neher’s works have been commissioned and performed by Third Angle New Music\, Fear No Music\, Opera Elect\, Opera Theatre Oregon\, Dinosaur Annex\, the Cortona Sessions for New Music\, Delgani String Quartet\, Choral Arts Ensemble\, and others across the United States and Europe. She is the winner of the ICDA/ICF Choral Competition\, the Flute New Music Consortium Composition Competition\, and the Mirror Visions Ensemble Young Composer Competition\, and was a NATS Composer Mentee\, working with Tom Cipullo.\nPraised as “a small woman with a very big voice” and “especially alive” (Oregon ArtsWatch)\, Neher captivates audiences as a performer with her electrifying dramatic commitment and unforgettable vocal colors. Her performance credits include Really Spicy Opera\, Third Angle New Music\, the Resonance Ensemble\, New Music Gathering\, Queer Opera\, the International Saxophone Symposium\, and Opera Theatre Oregon. She is a member of Portland Opera Chorus. She created the roles of Jennifer in Chamber Sounds of Singapore’s world premiere of One Thousand Paper Cranes for Japan by Rita Ueda\, Julian of Norwich in Brook Joyce’s monodrama The Showing of Love\, and the protagonist in Space Station 189\, a sci-fi opera for Instagram by JL Marlor and Aiden Feltkamp. Neher is the curator of the One Voice Project\, which champions unaccompanied solo vocal performance.\nNeher is a sought-after clinician on topics including composing for singers\, networking\, music business and entrepreneurship\, acting for singers and theatre tools for musicians. Her teaching credits include the Ultimate Music Business Summit\, and theToolbox Sessions\, as well as guest clinician appearances at Reed College\, University of Iowa\, Colorado State University\, OMTA\, Bandung Philharmonic in Indonesia\, and more. Her thriving private studio provides graduate-level education and mentorship in singing\, composition\, and career building for musicians from Australia to Europe. Neher holds degrees from the University of Iowa (DMA)\, University of Kansas (MM)\, and Lewis & Clark College (BA). She is an alumnus of the Gabriela Lena Frank Creative Academy of Music and the Cortona Sessions for New Music. She spends her free time training for triathlons\, watching science fiction movies\, and baking delicious treats involving copious amounts of chocolate. Her last name is pronounced “NEER.” For more information\, visit her website\, www.lisanehermusic.com. \n 
URL:https://oregonmta.org/event/grant-event-incorporating-composing-into-your-studio-teaching/
LOCATION:Studio of Ginny Redfield\, 975 NW Conifer Blvd\, Corvallis\, OR\, 97330
CATEGORIES:District Grant Event,Workshop/Seminar/Class
ORGANIZER;CN="Mary Ann Guenther":MAILTO:mguenther@comcast.net
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20231114T110000
DTEND;TZID=America/Los_Angeles:20231114T130000
DTSTAMP:20260603T215641
CREATED:20231009T161540Z
LAST-MODIFIED:20231009T161540Z
UID:8184-1699959600-1699966800@oregonmta.org
SUMMARY:Grant Event - Performance Practice in Baroque Keyboard Music
DESCRIPTION:Presenting District: Umpqua Valley-South Coast\nPresenter: Dr. Barbara Baird\,[expand title=”Read Presenter Bio” swaptitle=” “]has been a member of the University of Oregon music faculty since\n1989\, teaching organ\, harpsichord\, and piano\, organ pedagogy\, and harpsichord pedagogy. An active recitalist since 1971\, Dr. Baird has performed throughout the United States as well as Argentina\, Brazil\, Europe and Australia. A frequent adjudicator and clinician\, she regularly conducts workshops and master classes for keyboardists particularly on Baroque and Classic Period Performance Practice. Dr. Baird has been a presenter and recitalist at both national and regional conventions of the American Guild of Organists\, for the Organ Historical Society\, and for piano teachers’ guilds in the United States and Australia.[/expand] \nProgram Description: This workshop explores some basic considerations of performing Baroque keyboard music\,[expand title=”Read More” swaptitle=”] including the articulation used during the Baroque era—staccato\, non-legato\, legato and over-legato—and how to determine when to use each of these; the interpretation of ornament signs and their execution\, as well as the practice of adding ornamentation; understanding tempo markings\, as well as implied dynamics\, when no markings are present.[/expand]
URL:https://oregonmta.org/event/grant-event-performance-practice-in-baroque-keyboard-music/
LOCATION:354 N Star Ln\, 354 N Star Ln\, Sutherlin\, OR\, 97479\, United States
CATEGORIES:District Grant Event,Workshop/Seminar/Class
ORGANIZER;CN="Tammy Johnson":MAILTO:tamfinch@hotmail.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20231021T100000
DTEND;TZID=America/Los_Angeles:20231021T120000
DTSTAMP:20260603T215641
CREATED:20231010T014144Z
LAST-MODIFIED:20231010T014144Z
UID:8190-1697882400-1697889600@oregonmta.org
SUMMARY:Grant Event - Performance Practice in Baroque Keyboard Music
DESCRIPTION:Presenting District: Umatilla-Morrow\nPresenter: Dr. Barbara Baird\,[expand title=”Read Presenter Bio” swaptitle=” “]has been a member of the University of Oregon music faculty since\n1989\, teaching organ\, harpsichord\, and piano\, organ pedagogy\, and harpsichord pedagogy. An active recitalist since 1971\, Dr. Baird has performed throughout the United States as well as Argentina\, Brazil\, Europe and Australia. A frequent adjudicator and clinician\, she regularly conducts workshops and master classes for keyboardists particularly on Baroque and Classic Period Performance Practice. Dr. Baird has been a presenter and recitalist at both national and regional conventions of the American Guild of Organists\, for the Organ Historical Society\, and for piano teachers’ guilds in the United States and Australia.[/expand] \nProgram Description: This workshop explores some basic considerations of performing Baroque keyboard music\,[expand title=”Read More” swaptitle=”] including the articulation used during the Baroque era—staccato\, non-legato\, legato and over-legato—and how to determine when to use each of these; the interpretation of ornament signs and their execution\, as well as the practice of adding ornamentation; understanding tempo markings\, as well as implied dynamics\, when no markings are present.[/expand]
URL:https://oregonmta.org/event/grant-event-performance-practice-in-baroque-keyboard-music-2/
LOCATION:Hermiston Church of Jesus Christ of Latter-Day Saints\, 850 SW 11th St\, Hermiston\, OR\, 97838
CATEGORIES:District Grant Event,Workshop/Seminar/Class
ORGANIZER;CN="Sarah Milburn":MAILTO:sarahmilburn@yahoo.com
GEO:45.8344552;-119.3117027
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Hermiston Church of Jesus Christ of Latter-Day Saints 850 SW 11th St Hermiston OR 97838;X-APPLE-RADIUS=500;X-TITLE=850 SW 11th St:geo:-119.3117027,45.8344552
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20231010T100000
DTEND;TZID=America/Los_Angeles:20231010T120000
DTSTAMP:20260603T215641
CREATED:20230914T020249Z
LAST-MODIFIED:20230914T033324Z
UID:8139-1696932000-1696939200@oregonmta.org
SUMMARY:Grant Event - Effortless Piano Technique
DESCRIPTION:Presenting District: Linn-Benton\nLocation: Contact Mary Ann Guenther for location details\nPresenter: Dr. Angelina Case-Stott[expand title=”Read Presenter Bio” swaptitle=” “]Angeline Case-Stott\, Professor Emeritus of Music at the Rudi E. Scheidt School of Music at the University of Memphis\, has performed on the piano and harpsichord as a soloist and chamber musician and served as a clinician across the United States\, Canada\, and Europe. In 2000\, she made her European debut playing a solo harpsichord recital for the Russell Collection of Early Keyboard Instruments at the University of Edinburgh in St. Cecilia’s Hall\, Scotland’s oldest concert hall. Professor Case-Stott’s publications include a pedagogical video\, keyboard harmony text\, and articles in national journals including Clavier. She also edited books for Oxford University Press and McGraw-Hill Publishers. Case-Stott has a solo harpsichord CD\, Baroque Moments. She has provided piano and harpsichord music for medical research being conducted by neurologist and author\, Dr. Norman Shealy. Active at all levels of the Music Teachers National Association\, she is past president of Greater Memphis Music Teachers Association\, past president of Tennessee Music Teachers Association\, and Tennessee Music Teachers Association 1990 “Teacher of the Year.” Currently\, she serves on the Board of Directors for the Western Early Keyboard Association. \nProfessor Case-Stott received piano performance degrees from Peabody College of Vanderbilt University (B.M.) and The University of Memphis (M.M.). Postgraduate piano pedagogy studies were at the University of Northern Illinois; harpsichord and early music performance practice were with Laurette Goldberg of San Francisco Conservatory. Professor Case-Stott has 30 years experience in adjudicating for MTNA and other musical organizations at the local\, state\, and regional level. She now lives in Camas\, Washington.[/expand] \nProgram Description: This presentation is based on Dr. Case-Stott’s article in Clavier “Painless Piano Technique.” [expand title=”Read More” swaptitle=”]Taubman approach\, and other ideas for healthy piano playing will be presented. Some of the topics covered are variable arm/hand positions\, finger placement\, back and forward movements versus vertical up and down motions\, independence of fingers (old school) versus forearm rotation (new school)\, and helpful exercises. Dr. Case-Stott will explain how a pianist should play on different parts of the fingers\, depending on the musical passage. Avoid collapsing thumb joints through the careful selection of repertoire for students with small hands. Avoid overstretching and putting excessive weight into the keys. Stress-free octaves will be demonstrated with a novel technique and progressive exercises.[/expand]
URL:https://oregonmta.org/event/grant-event-effortless-piano-technique/
LOCATION:OR
CATEGORIES:District Grant Event
ORGANIZER;CN="Mary Ann Guenther":MAILTO:mguenther@comcast.net
END:VEVENT
END:VCALENDAR